A Quote by Aishwarya Rajesh

When I did 'Kaaka Muttai,' I was a very raw actor. Director Manikandan brought out the best in me. — © Aishwarya Rajesh
When I did 'Kaaka Muttai,' I was a very raw actor. Director Manikandan brought out the best in me.
When I signed 'Kaaka Muttai,' a lot of directors told me that I shouldn't be doing the role of a mother so early in my career. But I went ahead, as I aspire to do challenging roles.
I'm proud to have associated with a small, yet beautiful film like 'Kaaka Muttai.'
Kaaka Muttai' is the expression of an insider. It is a film about globalisation and its effects.
I want to be choosier. I can't let quality take a back seat... not after 'Kaaka Muttai.'
I play the leading lady in Arjun Rampal's latest production, 'Daddy'. It's a very bold, performance-oriented role, and the team had originally cast someone else. However, when Arjun saw my performance in 'Kaaka Muttai,' he roped me in.
Initially, I didn't have much knowledge about cinema. But once I started doing good films, precisely after 'Kaaka Muttai,' people started respecting me as a performer.
After acting in a critically acclaimed film like 'Kaaka Muttai,' I didn't get any offers for more than a year.
'Kaaka Muttai' has gone places. It's a great feeling. There is respect from family and friends. The film has travelled to international festivals, and I was able to meet big directors.
I had to do a lot of preparation for 'Kaaka Muttai.' I had to literally spend every night and morning in the slums, observing the life of people there, and work on my diction.
I'm very old-school. I like a director to direct me. I like to be the actor. I'm not particularly fond of the hybrid writer-director, or actor-director. Writers, directors, actors are all such very different people. I think it's unusual that two of those people are in one human.
As an actor, it filled me with joy that 'Raazi' was well-received and it gave me an identity and improved me as an actor. It was Meghna Gulzar's guidance that brought out the best in me. She is a receptive filmmaker who knows the art of extracting a performance.
It's incumbent upon a director, if you want to pull the best performance out of an actor, you have to really work to who they are and how they work and not just expect them to hit a mark every time. You have to be very adaptable in the approach that you use with every different actor.
I had done it all in my career. I always felt, as a kid, that that's what a director needed to be. Hitchcock could do anything in my mind. He's the director. That person has to be the best actor, the best designer, the best cinematographer. Then I came to realize that isn't the case. You just need to surround yourself with the best.
The director Denis [Villeneuve] is actually an actor (he's from Sons of Anarchy and he's a great character actor) and he's also a screenwriter (he wrote What Lies Beneath). It blows my mind to see when people from one sector move to another and excel. I think Sicario was one of the best directed and written films. It did get [a nomination for best] cinematography, though.
The only actor-director I have worked with in my career is my brother in his film 'Dillagi,' and he got the best out of me.
I'm the type of actor that believes the director has to be in charge. I've been on sets where the actor's ego was the most important thing, and with a director that messes it up. But I don't like a dictator, I want it to be collaborative - the best idea wins. If I feel respected, and I'm going to give that back. If a director wants to try something, cool, I'll give it back. I also feel like they cast me for a reason, so I'm going to make my mark on it... let me do my thing.
This site uses cookies to ensure you get the best experience. More info...
Got it!