A Quote by Aishwarya Rajesh

I always give weightage to performance more than the length of my character. That has always been my criteria for signing a film. — © Aishwarya Rajesh
I always give weightage to performance more than the length of my character. That has always been my criteria for signing a film.
My priority will always be my performance more than anything associated with a film. I always look forward to give my best to the character I play on screen.
Personally, I believe that playing the lead antagonist is always better than a character artiste, whose weightage isn't much.
Maybe at the core of me, I'm a survivor, but I don't do it on purpose. Sometimes, in acting of course with your performance, some of your own personal character seeps through. My performance goal has always been to perform for the audience. People pay their hard earned money, and so I always desire to give all of myself in every single scene.
My criteria has always been the script, director and character. But I also attach importance to the production house. After all, the banner has to go all out to present the film in a grand manner. I am ready to work with any house that is capable of marketing and packaging a film well.
I'd always wanted to do a film than TV show because film is always where my heart has been. I like diving into the character for a few months, and then leaving it behind. I love the idea of that.
I have always been a big fan of the character and am more of a moviegoer than a comic book guy, there is always something about the character of Batman that is very elemental. There is a great powerful myth to the character and romantic element that draws from a lot of literary sources
It is much more difficult to measure non-performance than performance. Performance stands out like a ton of diamonds. Non-performance can almost always be explained away
My criteria for doing theater has always been slightly different than my criteria with movies, in that there are a lot of reasons to do films, having to do with location, money, and first and foremost having to do with script and role and director.
My stand-up has always been very character-based. I'm not really the kind of person that's like, 'Hey, here's what's on my mind! Tip your waitress!' I would create the jokes based on the character I was playing. It was always a performance-based thing for me.
More than the length, it's the meat of the character that is more important. It does not matter if you are on screen, standing in the corner for the whole film, as opposed to doing something that stands out in two scenes.
I've always been a huge fan of Charles Lawton's performance in 'The Hunchback of Notre Dame,' so somewhere along the line, I've always wanted to play that character.
I have always been a fan of Kajol Ma'am. The way she portrayed Zooni's character in 'Fanaa' is etched in my memory. I have watched the film several times, and each time I have learnt something new from her performance.
For me, with any character, there are different ways that you approach understanding him, and in this film in particular, because I had the novel to refer to. It's always really helpful to have all of that information and all of those hundreds more words which give you an idea into the background and your character and all.
(1) Never give anything away for nothing. (2) Never give more than you have to give (always catch the buyer hungry and always make him wait). (3) Always take everything back if you possibly can.
You have to give your best as you can't guarantee the success of your film, but you can always give a good performance.
The creed of Bayern has always been to never give up, always on, always higher, always more successful.
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