A Quote by Aishwarya Rajesh

For me, Malayalam is a difficult language. It has got a lot of tongue-twisting words. — © Aishwarya Rajesh
For me, Malayalam is a difficult language. It has got a lot of tongue-twisting words.
My place is cemented in Malayalam films. Malayalam is not my language and it felt alien to me. But for them, I am someone from Karnataka who could deliver.
Once, a man at the customs duty check at the Delhi Airport asked me a question in Hindi, and I told him that I didn't speak the language. He got angry and said, 'How could you not speak in Hindi? Hindi is our mother tongue.' I told him that it wasn't my mother tongue. He got furious, and made me wait for over 45 minutes.
I was really looking forward to the release of 'Villain.' I put in a lot of hard work, and I am glad people are noticing basic things - like how I synced perfectly with the Malayalam dialogues or that I came across as a Malayalam girl - makes me feel wonderful.
But I've always admired Tamil and Malayalam films, and language isn't a barrier for me.
I have been a believer in the magic of language since, at a very early age, I discovered that some words got me into trouble and others got me out.
To me, comedy is just twisting reality. It's commenting or observing or twisting life.
My thought process is in Malayalam. So, every time I have to work outside Malayalam, the process is a little stressful. I have to translate my Malayalam thoughts into English and back to Tamil.
Then I speak to her in a language she has never heard, I speak to her in Spanish, in the tongue of the long, crepuscular verses of Díaz Casanueva; in that language in which Joaquín Edwards preaches nationalism. My discourse is profound; I speak with eloquence and seduction; my words, more than from me, issue from the warm nights, from the many solitary nights on the Red Sea, and when the tiny dancer puts her arm around my neck, I understand that she understands. Magnificent language!
In Malayalam, I can improvise, and acting is easy because I think in Malayalam, but for 'Velaikkaran,' I had to prepare for a role, which is a first for me.
Study a foreign language if you have opportunity to do so. You may never be called to a land where that language is spoken, but the study will have given you a better understanding of your own tongue or of another tongue you may be asked to acquire.
I got a lot of exposure because of 'Eega,' as the film was released in Tamil, Hindi, and Malayalam.
It's a difficult competition against silence, because silence is a perfect language, the only language which says with no words.
Because Shakespeare's language is so expansive, we're under this misconception that it's difficult. But I discovered that it's easy because it's so brilliantly written. The words are perfect, and the language is intelligent and very emotional.
Apart from English, I speak my mother tongue Malayalam, as well as Tamil, Telugu, and a bit of Kannada and French.
Public speaking is done in the public tongue, the national or tribal language; and the language of our tribe is the men's language. Of course women learn it. We're not dumb. If you can tell Margaret Thatcher from Ronald Reagan, or Indira Gandhi from General Somoza, by anything they say, tell me how. This is a man's world, so it talks a man's language.
It has not been definitively proved that the language of words is the best possible language. And it seems that on the stage, which is above all a space to fill and a place where something happens, the language of words may have to give way before a language of signs whose objective aspect is the one that has the most immediate impact upon us.
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