A Quote by Aishwarya Rajesh
In 'Aarathu Sinam', I play a wife and mother. It's a very homely character, quite contrary to what I've done so far.
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In 'Mother's Day,' which is directed by legendary director Garry Marshall, I play a mother figure to the character played by Jason Sudeikis from 'Saturday Night Live.' He's a widower, and I'm a mother who's helping him to get over the loss of his wife.
It is easier for a woman to be a good wife than a good mother. A widow has two duties with contrary obligations: she is a mother and she must exercise paternal authority. Few woman are strong enough to understand and to play this role.
My father and mother are both very smart people and I always felt I was a little short of the mark. So I would compensate with a character like Logan Cale. He's wearing glasses, he's in a wheelchair, he's a computer genius. He's very far away from who I am, but I really wanted to play roles where I'd be taken seriously.
People say that you want to be varied in your career, and I've done so many things and am very appreciative. But, the one thing I've never done and wanted to do was to be a regular on a TV show, where you get 22 weeks of the year to develop and play a character. I've done arcs of five or eight episodes on shows, but I'd like to have a character that's rich enough and deep enough to want to explore and live with for a few years. Playing the same character, but doing different scenes seems very exciting to me.
Although my father's mother, Nancy, has dementia, and her experiences gave me ideas for some of the scenes in the book, it was my mother's mother, Vera, who most influenced the character of Maud. Vera died in 2008, before I'd gotten very far into writing 'Elizabeth Is Missing,' but her voice is very like Maud's.
One never wants to do anything that's going to break that 'sculpture of the character' that's been done so far, or make anything that's been done so far become illogical in any way, so you always want to try to connect when you're doing a series of films that has a continuous character.
I was never very good at math and science, to be honest, so it's fun to play a character that is so scientific and mathematical, and whose brain functions at such a high pace. The biggest difference is that Maura is very linear in her thinking and very logical. I'm not quite like that. I'm much more laid back and not quite so type A. That's the big difference.
At the end of the day, it's a show [Daredevil ] not about a superhero, but it's about a man. Hopefully, that's what we're doing with The Punisher, as well. It's an enormous honor to play this character. It's a character that's quite iconic and very important to a lot of people.
In 'Maad Dad,' I play Lal's wife, who dies quite young. I've gone completely retro to fit into the role of his traditional wife.
I think that, when you play a mother, whether you play a bad mother or a not so great mother or an amazing mother, being a mother is already so complicated. It's already three-dimensional, automatically, no matter what the role is, because you're playing a mother.
In using the terms play and playfulness, I do not intend to suggest any lack of seriousness; quite the contrary. Anyone who has watched children, or adults, at play will recognize that there is no contradiction between play and seriousness, and that some forms of play induce a measure of grave concentration not so readily called forth by work.
[on playing Walter] It was wonderful to be able to play a character who had so many colors and who was able to play comedy, to play incredibly vulnerable, which he did a lot of the time, to play the love story, and to play the relationship with the son, which is quite unusual. That's a gift to me, as an actor. It was like everything you could possibly hope for, over five years. So, I was a very lucky actor.
Jekyll is quite me: young man; polite. But being able to play Hyde was quite fun, to create a character that's nothing like me. I quite enjoyed creating a new character like that: he had a different voice; physicality; mannerisms. Everything had to be thought about. It was a real challenge.
It is one thing to be a man's wife - quite another to be the mother of his children. In fact, once you become a mother, being a wife seems like a game you once played or a self-help book you were overly impressed with as a teenager that on second reading is puffy with common ideas. This was one of the many things I had learned since crossing over into the middle place - that sliver of time when childhood and parenthood overlap.
I have always been known as Mahesh Bhatt's wife, and I would tell people, 'Hello! I'm here!' This has always been a struggle. I would like to be known for who I am. I'm very happy to be known as his wife or Alia's mother. But I am also a person who, in her own right, has gone through quite a lot of odds.
The interesting thing about Hain is that he's not a very interesting character. He's not fabulously clever. He's not a great policeman. He's not hugely charismatic. I'd describe him as a kind-of Chekhovian character. He's an ordinary bloke, to whom extraordinary things have happened. Which is quite hard to play, I have to say.
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