A Quote by AJ Lee

I didn't have the easiest time growing up; it's no secret. We were just poor. — © AJ Lee
I didn't have the easiest time growing up; it's no secret. We were just poor.
We were growing up in West Virginia. Everybody was poor there in the southern part of the state. It was like growing up in the Great Depression from the stories I hear people tell. Everybody was poor and so we didn't know that we were any different from anybody else.
We were growing up in West Virginia. Everybody was poor there in the southern part of the state. It was like growing up in the Great Depression from the stories I hear people tell. Everybody was poor and so we didnt know that we were any different from anybody else.
Growing richer every day, for as rich and poor are relative terms, when the rich are growing poor, it is pretty much the same as if the poor were growing rich. Nobody is poor when the distinction between rich and poor is destroyed.
For any child growing up, anything is possible. We were poor growing up and you had to work hard and make it happen for yourself.
I was a huge theater geek growing up, and that was not the easiest thing in the world, especially growing up in Chicago, where sports are really the norm. I was always off to the theater at night, from 7 years old on. Friends there in the Midwest who could talk to you about the idiosyncrasies of 'Pippin' were few and far between.
I don't want there to be this separation between the rich and poor. I may be part of the three percent because I've been fortunate and done well for myself, but I will never forget about the 97 percent. That was me growing up. I was so poor I dreamt about being just 'regular poor,' not 'poor, poor.'
It is the privilege of the rich To waste the time of the poor To water with tears in secret A tree that grows in secret That bears fruit in secret That ripened falls to the ground in secret And manures the parent tree Oh the wicked tree of hatred and the secret The sap rising and the tears falling.
My mom struggled for a long time growing up poor, and then we were on welfare when I was a kid. So to see her kids, not just me, be successful and making money and happy and healthy and in good relationships - it means so much to her after all that she's been through.
When I was growing up in the '70s and '80s, by the time you were 16, you were kind of expected to be an adult. By the time we were 16 and able to drive, certainly by 17 or 18 and into college, you just had very little interaction with your parents.
I didn't really want to be a filmmaker, growing up. Other than Spike Lee's movies, I would think, 'Where is a place for me?' We were so damn poor that it just seemed too far beyond.
When I lived in China, there were no libraries. My mother bought books for me, and they were mostly the classics. I read 'Peter Pan,' 'The Secret Garden,' the 'Rosemary' books, and Kipling's 'Just So' Stories was one of my favorites. No, I didn't read historical fiction. It didn't exist where I was growing up in China.
Growing up, my dolls were doctors and on secret missions. I had Barbie Goes Rambo.
The huge difference in my lifetime is that you can just go up to somebody and make a pass. You couldn't do that in the 1950s if you were gay. There were secret handshakes, a secret language. There was nowhere you could go to be romantic outside of people's houses.
My parents are amazing. When I said I wanted to go into film, they didn't understand it, but they were incredibly supportive. But growing up, I absolutely did have that feeling of, "Wow, somebody just gave me up." That was infused in The Secret Life of Bees too - the protagonist wanting unconditional love from her dead but much-imagined mother.
My father, who was illiterate, smoothed iron for Ford Dagenham and we'd get up at 5;30 A.M. to give him a jump-start. My mother was a nurse and part of the Windrush generation. Growing up in east London, we were financially poor, but rich in hope and dignity, and we were happy.
We were really poor when I was growing up; my parents, both artists, were bohemians. Life was a desperate struggle, but in service of a high ideal, which is exactly what my photographs are about.
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