A Quote by A.J. Styles

I hope to have more than one main weapon. I have the Phenomenal Forearm as we're calling it now, the Calf Crusher - the Styles Clash is still available. I like to have a lot of alternative moves to hit people with, and whatever seems to work is what I'll go with.
I think there have to be Bachs and Beethovens. We may have - there are so many more people. Musical training is available to so many more, but it may be that we've hit a right wall in terms of accessible styles and since we demand innovation as a criterion of genius, there may not be more innovative styles to be found.
Tyson Fury and Anthony Joshua? Styles make fights, and that would be a great clash of styles and a great clash of personalities.
A lot of people are like, "Oh, it's so much easier to be a supermodel now because you have Instagram. You don't even need an agency anymore." But that's just not true. I still had to go to all the castings, I still had to go meet all the photographers, I still had to do all of that to get to where I am now. There wasn't a step taken out just because I had social media. I still have 12-hour days, I still have even 24-hour days sometimes; I still have to do all those things. We don't work any less hard than the '90s models did when they were young.
I think it does give me different stuff and I feel like television moves a lot faster than movie sets do. It's kinda like they have to get things done within a certain timeframe. So do movies but it seems like, as far as television is concerned, it just moves a helluva lot faster.
In my estimation, there are four kinds of people that live on this earth: average, good, great, and phenomenal. Phenomenal is like Mother Theresa. She's dead, but we still talk about her on a regular basis. That's phenomenal.
My main hope for my children would be that whatever profession or calling they choose in life, that they pursue it with passion.
We don't have a great clash of civilizations, a clash of ideologies, a clash of alternative models, where governments thought to themselves, if we go too far, if we sort of trample unreasonably on rights, we'll give birth to a political movement which will cost us our credibility, and will possibly cost us our offices, because people will vote for the other team, the other guys.
I still listen to older music a lot more than new singers. I listen to whatever's on the radio, but when I want to listen to something that moves me I put on a Stevie Wonder record.
I think we have a little added appreciation for the Canadian fans, maybe because there's a lot of Canadians that want a Canadian band that seems to tour a lot more in the U.S. that are like, "Whatever. You guys don't care about us. You just turned your back." Our fans, the people that we hang with in Canada when we play, seem to be super-supportive still. We have a lot of love for that.
I go into calling any match, any fight - I don't care if it's the main event or the opener - that these guys have put in their work: they're here for a reason, and there's a reason I'm calling this fight, so I do want to give it as much attention and respect and energy as I would the main event or a championship fight.
You know, you have to start with hope...you don't get anywhere in this country without hope. So it's a necessity. What Barack says is that people have to understand hope isn't just blind optimism. It isn't passive. It isn't just sitting there waiting for things to get better. Hope is the vision that you have to have. It's the inspiration that moves people into action...There are more people engaged in this political process in this year than we've seen in my lifetime. And it is all because of hope because people believe in the possibility of something unseen.
If I have a hit, then I hope the people who like the hit song go out and buy my album so they can hear it all.
I think there are people that still hold on that like Heavy Metal like a bit of what is going on now, but it isn't all of what they love and which goes on and it's the same with me... There's still a lot of Ray Charles, Sam Cooke songs that I still happen to like a lot, but then there are a lot of Madonna and... a lot of the female singers that I like as well, but it's like liking it with different emotions, you know.
Short fiction seems more targeted - hand grenades of ideas, if you will. When they work, they hit, they explode, and you never forget them. Long fiction feels more like atmosphere: it's a lot smokier and less defined.
I think people are becoming more receptive to the alternative styles of drag.
I spent a few years here in Memphis, in the late '70s and early '80s, where I was studying a lot of country blues players and their styles. So it seems like every record I'll do, I will appropriate these blues styles that I remember.
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