A Quote by AJ Tracey

Even if it's a song I know isn't gonna do that well, I'm dropping it as a piece of art, so I always want sick visuals to go with it. — © AJ Tracey
Even if it's a song I know isn't gonna do that well, I'm dropping it as a piece of art, so I always want sick visuals to go with it.
My first go at drinking did not go so well. I ended up getting sick in front of everybody. You know that Ginuwine song 'Pony'? It was playing at the party while I was getting sick. My entire senior year, everyone sang that around me. For a year. I would like that erased from my memory.
For me, as a music fan, visuals kind of steal away the purity of the song. My instinct is not to provide a visual to go with a piece of music. But here's MTV. It's really powerful.
I always talk about if you want to be an artist, you have to be authentic because people can tell bullshit a mile away. There is nothing wrong with creating a character, standing behind that character, and that being an authentic performance piece, because that's a piece of art as well. But if you want to be an artist in any form, you have to know to come with it.
There are no limitations with a song. To me a song is a little piece of art. It can be whatever you like it to be. You can write the simplest song, and that's lovely, or you can just write a song that is abstract art.
You never know when you're gonna come across a sick skate spot, or a skate park you wanna stop at, so as long as I'm not injured, I'm always gonna have my board on me, and my skate shoes, and whatever I need to go out there and get a little session in.
If there is going to be visuals for a song, I want them to be equally as good or better than the song.
The goal for me is, I build the record that I put out as one individual song. Even though it's broken up into tracks, to me it's like one hour-long piece of music. In assembling the whole thing, I'm really thinking, okay, it's gonna end here, it's gonna start here, and I kind of have the idea of the journey.
When writing I just go with the song. I go with the song and try to tell the story. So the story may be "Wonderful Baby", which is a little song. Or it might be a gentle song, "Empty Chairs". Or it might be a rock and roll song like "Prime Time" or "Run, Diana, Run", or "American Pie". I don't know where it's gonna go. I don't have any idea what I'm doing. I just do it. I just keep doing it. I keep taking adva
If I call you playing my music, you'll be like, 'Oh, that's Gunna.' Even on a song you ain't heard, you're gonna know my voice for singing. But if I call you on the phone - 'What's up? Are we still doing the interview today?' - you're not gonna know who this is.
It's a weird thing to say you want people to be sick of your song, but I guess that's what happens if your song goes really well.
There are no limitations with a song. To me a song is a little piece of art. It can be whatever you like it to be. You can write the simplest song, and that's lovely, or you can just write a song that is abstract art. ... A lot of my songs are very serious, I'm like dead serious about certain things and I feel that I'm writing about the world, through my own eyes. ... I have a love for simple basic song structure, although sometimes you'd never know it. ... Most of the songs I wrote at night. I would just wake in the middle of the night. That's when I found the space to write.
When I hear other artists talk, they talk about 'How come radio's not playing my song?' Well, you have to look at it under a microscope and know that each station is just trying to do what's right for their market, and it's scary for a radio station to add a song that they don't know how well it's gonna do for them.
That is like in my parents' generation, Walter Cronkite. If you were gonna go into broadcasting, if you weren't gonna be Walter Cronkite, you may as well not go into it. Even after I'd try and tell my parents that he was the epitome of left-wing bias. Well, my dad knew it. My grandfather wouldn't believe it.
I know that some are always studying the meaning of the fourth toe of the right foot of some beast in prophecy and have never used either foot to go and bring men to Christ. I do not know who the 666 is in Revelation but I know the world is sick, sick, sick and the best way to speed the Lord's return is to win more souls for Him.
There's always that siren song call from America for actors, I think, in Canada. You always want to know, you never want to not go and not try.
My studio's always in my house. I want to wake up and be like, 'You know I'm gonna make music today in my underwear. You know what, I'm gonna be in my pajamas. You know what, I'm actually just gonna stay inside for the next three days so I can make music.'
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