A Quote by Aja Brown

My husband is actually biracial. He is Caucasian and African American. And my brother's fiance is Latina. So we have a colorful family. — © Aja Brown
My husband is actually biracial. He is Caucasian and African American. And my brother's fiance is Latina. So we have a colorful family.
My dad is Caucasian, and my mom is African American. I'm half black and half white. Being biracial paints a blurred line that is equal parts staggering and illuminating.
There couldn't possibly be a more label-driven industry than acting, seeing as every audition comes with a character breakdown: 'Beautiful, sassy, Latina, 20s'; 'African American, urban, pretty, early 30s'; 'Caucasian, blonde, modern girl next door'. Every role has a label; every casting is for something specific.
I never considered myself as part of a biracial family - we're just a family - but my parents are white, and my brother is Asian.
I love the idea of biracial. I actually don't use the word biracial. I tend to use mixed. Biracial to me accentuates the word race, and, you know, I don't really care for it.
In the United States, the average is two children per family, while in Africa it is five children per family. On the surface, the statistic seems to indicate that Africans are having way too many kids and are taxing the Earth's resources, while American kids are born into families who are able to take care of them. However, the average American child consumes roughly the same resources as fifteen African children. So when an American family says they only have two children, they are actually consuming the resources of an African family of thirty children!
There are plenty of Latina actresses that no one's ever heard of... Some are really brown, some are light-skinned, and some look like they're Caucasian, but it's like we only want to identify with a certain kind of look and celebrate that under the guise that this is a 'Latina actress.'
In the industry, artists of of color struggle the most. Caucasian artists have really solidified themselves in the industry, and with African Americans now we see directors and producers who vow to only produce work that shines a light on African American artists. But everybody in the middle gets lost.
African Americans, in particular, saw their cumulative wealth crash. They used to have 10 cents on the dollar of the average white family. That 10 cents on the dollar that the African American family used to have crashed down to 5 cents on the dollar, given the focus of predatory lending on the African American community and the degree to which they were really devastated by the foreclosure crisis. So yeah, I think there is a lot of disappointment out there.
It's exciting to me that Ride Along is a movie that has two African American leads, but it's even more exciting to me that it's not a movie about two African American leads. They just happen to be African American. It's a universal story. It's a story about a guy in love with a girl, and he's gotta get the approval of the overbearing, mean brother. That's a universal theme.
It takes time for brown people and people of different ethnicities to get into the Hollywood world, which is predominantly Caucasian and African American.
I'm bicultural, and everyone sees me as a Latina, but in my head I see myself as both Latina and American.
I can't compete for roles that require me to be Caucasian or African American, even if those characters really connect with me and intrigue me.
My Native American heritage was not embraced by our family, and we grew up African-American, so I didn't have a lot of access or history to that line of my family.
My husband [Julius Tennon] and I started a production company. We've already optioned a book and some scripts to do exactly that, to create more complicated, multi-faceted roles for African-Americans, especially African-American females. I think it's important.
I have always, or for the most part, identified myself as a biracial person. Much to the chagrin of a lot of African-American people that I meet, because it's almost like there's a betrayal, an intrinsic betrayal: "Don't do that, brotha, we need you. We need you here, in this fold."
When African-American police officers involved in a police action shooting involving an African-American, why would Hillary Clinton accuse that African-American police officer of implicit bias?
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