A Quote by Aja Naomi King
Sometimes as human beings, we're so contradictory - we may say something or do something and completely contradict ourselves. That's what I'm learning to embrace in television - not knowing what's going to happen. I might make a specific choice for myself and then in the next episode the writers might write something that contradicts it.
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Sometimes as human beings, we're so contradictory - we may say something or do something and completely contradict ourselves. That's what I'm learning to embrace in television - not knowing what's going to happen.
Sometimes it's not like I write very specific, it's more like I add an atmosphere almost to something that might have been quite awkward in my mind from the beginning. Something has happened and I want to force myself to think of it in a more positive way. And then I force myself to write something that convinces me that this is actually something pretty good or something that I learned something valuable from.
I always thought it would be funny to have the Parents Television Council write an episode of 'Family Guy' and give them full creative control. Then see how good the episode is. That's something we've actually discussed in the writers' room. We haven't proposed it yet, but if somebody from the PTC reads this, it might be worth discussing.
There's just something about BJ Penn that gets people amped up. You don't know what's going to happen but something is going to happen. He might disappoint you, make you happy, make you cry or make you jump out of your chair, but he'll do something to you.
I don't want to sound creepy, but I remember when I couldn't really talk. I was looking at the television and my mother just moved one of the curtains, so the sun started to hit the television, and I couldn't see the television anymore. I started crying. I wasn't able to find the words to say, "I can't see this anymore, please do something about it." I remember crying and not knowing exactly how to express myself; not because it was painful, or that I was too upset, but because there were no words. As human beings, sometimes we just cry when we don't know how to say something.
Perfection isn't human. Human beings are not perfect. What evokes our love--and I mean love, not lust--is the imperfection of the human being. So, when the imperfection of the real person peaks through, say, 'This is a challenge to my compassion.' Then make a try, and something might begin to get going.
I think it's good to have a balance. Everything I write about, it's not something I necessarily might have went through, there's songs where I might have an idea, sometimes it might be a melody or something that I like, I make up a story to go with that melody. But I do think it's most important to have honest songs.
Opportunities may come along for you to convert something -something that exists into something that didn't yet. That might be the beginning of it. Sometimes you just want to do things your way, want to see for yourself what lies behind the misty curtain. It's not like you see songs approaching and invite them in. It's not that easy. You want to write songs that are bigger than life. You want to say something about strange things that have happened to you, strange things you have seen. You have to know and understand something and then go past the vernacular.
For me, before I go on stage, it all depends. Might be a girl, might be an edible, might be a verse, might be somebody mixing something in my drink without me knowing - hopefully that won't happen tonight.
I think that music and art and film, at their best, can connect with something that is eternal in human beings, that might not have so many labels on it, something that's ultimately universal and that may just be a feeling.
Sometimes when you grieve, you grieve at a time where you don't really expect it. You might hear a song or you might smell something or see something that might trigger something, and all of a sudden you get hit with this rush of emotion.
I'm probably, if I might, if I stray I might write, go into screenplay or do something in film. Something like that but I think I'm pretty much going to stick to what I'm good at.
We'll have a part and it's clearing up, so you think something is going to happen and it totally stops and does something completely different and then the part you thought was going to happen comes out of completely nowhere.
I always told myself that if I was going to be given a voice, I might as well say something worth listening to and not something that's just going to feed people stupidity.
What I love about my work is the variety and not knowing what's coming next, and being able to embrace something for a period of time and know something new is going to follow.
I think that sense of surprise, that you don't know where something is going, or what's going to happen, even as you write, that you're making it up as you go along - that's important to me. It's not a question of shock or surprise in a gimmicky way. It's that as you read, you become more deeply into something and into what happens, and become more involved and engaged, you're learning something or you're appreciating something or seeing something differently - that's what's surprising.
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