A Quote by Ajay Mehta
I feel respect is in your hands as an actor when portraying a character, particularly when it's from the Indian subcontinent. I do make a conscious effort to do so and often talk to the directors especially about the heavy accent when it's not needed.
Related Quotes
Make a conscious effort to loosen your hands and let your arms feel soft when you're at address. Take the club back a bit shorter, and feel as if you're cracking a whip on the way down - not tensing up to smash something hard.
My mum made a conscious decision not to teach me any Indian languages so I wouldn't talk with an accent.
What I try to do with the accent of any character I play is not necessarily to do something that's generic - an Indian accent and that's how it sounds, for example. I think the accent needs to sound authentic on this person.
There's often rarely any dialogue in a sex scene. With your fellow actor, it's good to talk about what the unspoken dialogue is, that's happening in the scene. You've got to play something rather than feel self-conscious or exposed.
I feel it's very important for an actor to believe in the character that he/she is playing and do full justice to it in order to convince others that you are the character you are portraying.
What is difficult to understand is that without conscious effort, nothing is possible. Conscious effort is related to higher nature. My lower nature alone cannot lead me to consciousness. It is blind. But when I wake up and I feel that I belong to a higher world, this is only part of conscious effort. I become truly conscious only when I open to all my possibilities, higher and lower. There is value only in conscious effort.
One of the scariest things to me was, I really feel like I'm a pretty even-keeled person with a good outlook and respect level, but in that environment, deep within the character, you see how easy it is to go to that place because you're one-upping each other and it's this heavy environment filled with young men trying to make an impression. It's dangerous. It's something that I became very conscious of afterwards.
There aren't a lot of alternative roles for Indian actors. I think we've fallen short of portraying Indians in the media. We don't need to make another Dances With Wolves, because it's not an Indian movie. When Indians portray themselves, then we have a different perspective. I've been asked about making period pieces but I've never read one that wasn't about guilt, and I'm not trying to make a guilt film.
I think you should identify with your character, but plenty of people like themselves and hate themselves. You just have to find out what's truthful for the person you're playing. When people talk about that, I think what they're saying is that as an actor, as Peter, you don't want to make a judgment that comes from your worldview about the character. Your judgments should be coming from the place of the character, and within that space, sure, you could love or hate yourself or whatever you think is most appropriate.
I don't know how many times I can sit there and talk about my character or my life. It's interesting to talk about experiences in the context of something you're doing for somebody else, and particularly if you can persuade others to join you in your support.
I don't see myself as one type of actor. When you get one role, you start to get cast in that role for awhile because that's what people have seen you do, and have hopefully seen you do it successfully. And so, it becomes an easier thing to see you as, for casting directors and directors, and they start to think of you as that particular person or type of character. But, for me, I'm just an actor, first and foremost. The actors I respect are the real character actors, who are the real chameleon actors that completely change from role to role.
I'm not even Indian-American: I'm Indian-Indian. Everybody expected me to have henna and a nose pin and talk in an accent like Apu from 'The Simpsons.' I was nervous because I wasn't sure if America was ready for a lead that looked like me.
Unless it's a specific accent, or something about physicality you have to change, I am generally not such a conscious actor.
If you are, as an actor, are just worried about looking pretty and being well liked, then I personally feel you are doing a disservice to your audience, the craft, the creative process, writers, and directors. Your job is to tell a story and to tell the truth, and we can't always be the most likeable character in every situation.
Your hands are not made to type out memos. Or put paper through fax machines. Or hold a phone up while you talk to people you dislike. One hundred years from now, your hands will rot like dust in your grave. You have to make wonderful use of those hands now. Kiss your hands so they can make magic.
Your hands are not made to type out memos. Or put paper through fax machines. Or hold a phone up while you talk to people you dislike. 100 years from now your hands will rot like dust in your grave. You have to make wonderful use of those hands now. Kiss your hands so they can make magic.
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