A Quote by Ajay Naidu

I think that rap is narrative, when it's done right. — © Ajay Naidu
I think that rap is narrative, when it's done right.
We've always said we're a HEAVY METAL band. We've kinda branched out here and there - we've done a rap thing, we've done a rap-rock thing, we've done something with Angelo Belmonte, who's the primary composer of Twin Peaks. In fact, most of David Lynch's movies is Angelo. He did something with us and that was great. We've also acted, we've done an episode in Married with Children, which was awesome - so we're always looking to do things which you wouldn't expect.
All of my projects are done right because I know the game, and I consider myself a rap expert.
I want the vetting to be solid. But I also want to bring these people in because not bringing them in sends a message, right, to the Muslim world and plays into the ISIS narrative and the Al Qaeda narrative, right, that this is a war between religions. And we can't have that.
Earlier, I did sing for 'Kaante' and a couple of other films but I had never done rap before. Marathi rap is something new and I enjoyed it.
I don't think people want to look at problems. They want a continuous narrative, an optimistic narrative. A narrative that says there's a present and a future - and what was in the past no longer exists.
I think taking back the term 'mumble rap' was important to me because I appreciate and love every facet of hip-hop and everything that's going on right now in the game, so I felt it kind of disrespectful that people kept referring to that whole genre as 'mumble rap.'
I feel like when it comes to rap - like, real rap music - and knowing the pioneers of rap, I feel like there's no competition for me in the NBA. Other guys can rap, but they're not as invested or as deep into actual music as I am and always have been. I think that might be what the difference is. I'm more wanting to be an artist.
I think being Shaquille O'Neal would be the most amazing thing. There's nothing I would have done differently in his life. Everything he's done I think is pretty spot on, even, like, the bad rap videos, the shoes, the movies, everything.
I never tried to emulate that New York rap style. What I do is a quasi rap. It's a honky rap, not a black rap. I find it puzzling that so many people have assumed I'm black.
I've never been a rap guy, I don't really know that much about rap music, to be honest. I like it, but I think what really happened was just my music seems to work so well with rap music.
Rap has so many possibilities that need to be explored. There are different factions of rap, but some are in a rut. Rap doesn't have to be about boosting egos and grabbing your crotch and dissing women. There's a way to make political and social issues interesting and entertaining to the young rap audience.
I thought that God and rap would never work. I thought that God wasn't okay with rap. People knew I used to rap, and I went to the Bible studies. Someone said, 'Hey, you should rap about Jesus.'
Now, we're used to thinking of communism as being once-upon-a-time-all-things-were-owned-in-common, maybe-someday-this-will-come-again. And people agree that there is a sort of epic narrative going on here. I think we should just throw this narrative out, it's irrelevant anyway, and who cares who owns things? I don't. You know, we all own the White House. So what? I still can't go in, right?
The Democrats, because they are the media, still establish the narrative for Washington every day. And whatever that narrative is, the Republicans - for some reason (I think it's force of habit and years and years of conditioning) - still become subservient to whatever that narrative is.
I think it's good practice, if you're a writer, or anyone who's shaping narrative, to be flexible and open with the direction of the narrative.
There has been an effect of business rap on the output of today's rap music. But I don't think that's the modern day rapper's fault.
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