A Quote by Ajay Naidu

We make a contract within ourselves as actors or directors or writers about how much of ourselves we let into projects. You can actually figure out before you work on something how much blood you will have to let emotionally.
It's a lot easier to figure out how to scale something that doesn't feel like it would scale than it is to figure out what is actually gonna work. You're much better off going after something that will work that doesn't scale, then trying to figure how to scale it up, than you are trying to figure it all out.
The government has no business knowing how much money we make and how we made it. It's none of their business. And that's why I believe that manufacturing is critical. If we can't feed ourselves, fuel ourselves and fight for ourselves, we can't be free.
When I was young, I said to myself, "You've got to make the most of your life." It's all about taking risks. Push yourself to do as much exploration as possible. Find yourself. Because sometimes we think we've found ourselves, but it's only part of ourselves we've found. We haven't pushed ourselves far out there where we make mistakes and things don't work out, but at least we've discovered something. I felt that's what my life had to be.
It's weird to talk about money, but as a kid my biggest fascination was how much do these Youtubers make, how much do actors make, how much does anybody in the entertainment industry make?
At the close of life the question will be not how much have you got, but how much have you given; not how much have you won, but how much have you done; not how much have you saved, but how much have you sacrificed; how much have you loved and served, not how much were you honored.
In the world we live in, where we say we need equality, we don't think highly of ourselves. We don't give much importance to ourselves. We are cheerleaders of equality, but how much do we believe in it? Because if you do, then you will be the voice of change.
What I learned about acting, from my experiences directing, is why so many producers and directors don't like actors. You go through all of this work securing a location, figuring out how to get electricity there, how to get trucks parked where they need to be, and where catering is going to come from. And if the actors don't come up with some magic, it actually didn't matter. That creates a lot of animosity towards the actors.
How do we define, how do we describe, how do we explain and/or understand ourselves? What sort of creatures do we take ourselves to be? What are we? Who are we? Why are we? How do we come to be what or who we are or take ourselves to be? How do we give an account of ourselves? How do we account for ourselves, our actions, interactions, transactions (praxis), our biologic processes? Our specific human existence?
A stranger can see in an instant something in you that you might spend years learning about yourself. How awful we all are when we look at ourselves under a light, finally seeing our reflections. How little we know about ourselves. How much forgiveness it must take to love a person, to choose not to see their flaws, or to see those flaws and love the person anyway. If you never forgive you’ll always be alone.
We need to empower ourselves and believe in ourselves, and not allow the world to take that away from us. No matter how dark we may think our world is, it's been much darker in the past, and we will make it through this.
How many of us have these demons or habits or things we don't like about ourselves and understand the loops that we're in and yet are unable to break out of them and create lasting change within ourselves?
Instead of asking 'How much damage will the work in question bring about?' why not ask 'How much good? How much joy?'
I really realized how much happier I am when I'm doing projects that I'm chosen to do, and on the flip side, how much unhappier I am on projects that make me feel uncomfortable.
When you're trying to make people believe in what you want to do, you have to be really careful to figure out how you'll make it work, how to maintain the momentum that you're getting without sacrificing much. It's a complete learning process.
I always feel like I learn more from directors that are new, and I also am able to understand how much I really do know about filmmaking when you work with directors that maybe don't have as much experience, so you're able to sort of take the reins. I know how to do these movies, I've done so many of them and have learned from new directors who are usually willing to try new things and are more open to allowing someone like me to kind of come in and just do what I know how to do.
Each of us has an inner thermostat setting that determines how much love, success, and creativity we allow ourselves to enjoy. When we exceed out inner thermostat setting, we will often do something to sabotage ourselves, causing us to drop back into the old, familiar zone where we feel secure.
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