A Quote by Akeem Ayers

You see guys getting in trouble, but you also see the good in people. It's just a matter of always learning. — © Akeem Ayers
You see guys getting in trouble, but you also see the good in people. It's just a matter of always learning.
Learning to draw is really a matter of learning to see - to see correctly - and that means a good deal more than merely looking with the eye.
In 'Chappie,' you see this sort of young robot that's learning through maybe 'deep learning' how to see the world really, look out into the world, and learn step by step. What's so interesting is that with 'Chappie,' you're getting to see how human behavior reacts to artificial intelligence, and I don't think it's always going to be positive.
I've played people that are on the line of evil and good, but that's life. We are always playing with the good and the bad. I see them as people. I don't see them as caricatures. I try to not make them caricatures. Maybe I fail, but I try to see what' behind them. Would I play the hero? A superhero? I don't think so. But, I play good guys. There are some there, but you have to look.
I think a good quarterback or a good linebacker, a good safety, even though you have a lot of bodies moving out there, it slows down for them and they can really see it. Then there are other guys that it's a lot of guys moving and they don't see anything. It's like being at a busy intersection, just cars going everywhere. The guys that can really sort it out, they see the game at a slower pace and can really sort out and decipher all that movement, which is hard. But experience certainly helps that, yes.
I'm going to try to play some good guys for a while and just see how that is. It's hard to enjoy them as much as the bad guys, and the clothes are nowhere near as good. Good guys don't wear nice suits!
A good photograph will prove to the viewer how little our eyes permit us to see. Most people, really, don’t see-see only what they have always seen and what they expect to see-where a photographer, if he’s good, will see everything. And better if he sees things he doesn’t expect to see.
We all know what flopping is when we see it. The stuff that you see is where guys aren't really getting hit at all and are just flailing around like a fish out of water.
I do see the good in people, but I also see the bad --- I see it in myself. I know what I'm capable of. Good and bad. It's very imnportant that we make that clear. Just because I often find a way around the darkness doesn't mean tjat I don't know it's there. (Bono)
[I just try to stay around the same people] is what kept me out of trouble, because when I got into trouble, it was with people from the outside. The outside always led me to getting into trouble, and really just stayin' in the studio [and] workin' hard, and mainly just keepin' my mind straight.
I try to live every day as present' as I can, see the good in it, see the good in people, see the good in my career and always wanting to be true to myself.
The hard thing is getting people to come to the theater to see something, no matter if it's good or not.
There's times when you see people climbing and getting success and you start to see, oh, they're starting to really change. So I always just make the effort to be as humble and grateful as possible.
I just want you guys to see it also. To see what type of words that are said toward me, and towards us as professional athletes. Everybody thinks it is a bed of roses and it's not.
It's good for people to be able to see an archive of an artist learning how to write and getting better, especially for teenagers who are starting to write: to see that I started out making pretty easy and weird and bad-sounding music and that you can teach yourself how to write over a long period of time.
The photographer's most important and likewise most difficult task is not learning to manage his camera, or to develop, or to print. It is learning to see photographically — that is, learning to see his subject matter in terms of the capacities of his tools and processes, so that he can instantaneously translate the elements and values in a scene before him into the photograph he wants to make.
When I go see a basketball game, I'm always in the front row. I always have a table at a restaurant; I never have trouble getting a taxi.
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