A Quote by Akiane Kramarik
None of my paintings I would say are religious.
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We have a religious renaissance today in America, as many people say. I would say this religious renaissance, ninety percent of it is the greatest danger true religious experience has ever been confronted with.
Isn't it strange that religious prejudices - beliefs none possess, not even the saints, so they have lamented - divide brothers and sons from their fathers. You see, I except mothers and sisters; the female is not a religious animal. If she were, the world would have ceased long ago.
To me, ideology is corrupt; it's a parasite on religious structures. To be an ideologue is to have all of the terrible things that are associated with religious certainty and none of the utility. If you're an ideologue, you believe everything that you think. If you're religious, there's a mystery left there.
I'm not religious. I would say I'm more spiritual than religious.
I don't like to say that my kitchen is a religious place, but I would say that if I were a voodoo priestess, I would conduct my rituals there.
I'm not religious. I'm not an atheist. Would I say I'm an agnostic? Possibly. But I would say the collective unconscious is something I'm much more interested in.
I think I tend to destroy the better paintings, or those that have been better to a certain extent. I try and take them further, and they lose all their qualities, and they lose everything. I think I would say that I destroy all the better paintings.
Chauvet Cave is rather like the awakening of the modern human soul or I would say the awakening of modern human culture. Because Neanderthal men who still rode the landscape parallel to the people who did these paintings didn't have culture. There's no evidence of culture, no symbolic depiction, no evidence of music, no evidence of sculptures, no evidence of religious beliefs.
It's three disparate elements: the stop sign, the stage paintings, and the skeleton paintings. Those are three sharp ideas, although none of them are necessarily good ideas. Tons of artists have made whole careers out of those three ideas.
The spot paintings and spin paintings were trying to find mechanical ways to make paintings.
I guess it's true what they say: if we could reason with religious people, there would be no religious people.
Artists say that paintings are never done. I sort of feel the same way about music. I would never say something is perfect. There are performances that can generate a lot of emotion in me when I hear them, but I can't say if anything is perfect.
I am aware of the technical distinction between ‘less’ and ‘fewer’, and between ‘uninterested’ and ‘disinterested’ and ‘infer’ and ‘imply’, but none of these are of importance to me. ‘None of these are of importance,’ I wrote there, you’ll notice – the old pedantic me would have insisted on “none of them is of importance”. Well I’m glad to say I’ve outgrown that silly approach to language
I think I have one answer, that is partly religious and partly secular; and that is to say, we ought to at least recognize that we and the Russians are in a common predicament. That would be religious in the sense, "Judge not lest you be judged."
No, I'm not religious, I'm sorry to say. But I was once and shall be again. There is no time now to be religious." "No time. Does it need time to be religious?" "Oh, yes. To be religious you must have time and, even more, independence of time. You can't be religious in earnest and at the same time live in actual things and still take them seriously, time and money and the Odéon Bar and all that.
I am such a person of words. I've spent so much of my life trying to get it right, say it right, say it eloquently, say it truthfully, say it honestly, that when I hear it said in ways that none of those adverbs would describe I find myself so repelled that it almost shuts my mind off.
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