A Quote by Akira Toriyama
There was a manga boom, so I read 'Astro Boy,' 'Osomatsu-kun,' and such. But what influenced me the most were things like 'Popeye' and Disney animation.
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Manga is virtual. Manga is sentiment. Manga is resistance. Manga is bizarre. Manga is pathos. Manga is destruction. Manga is arrogance. Manga is love. Manga is kitsch. Manga is sense of wonder. Manga is … there is no conclusion yet.
My generation was a special generation. I was born in 1960 and in my childhood we were all big manga consumers that was the culture. We were brought up in manga. Manga evolved around what was being made to cater to kids. All children at that time read ridiculously thick manga books every week.
I so love the animation process. Interesting, everything that I do in animation, the kind of crafting and skills of storytelling, totally work within the structure of the Disney nature films. In a weird way, I like to think that animation is like painting, and Disney nature is like sculpting. Animation you start with a blank canvas and you paint. With Disney nature, you start with a big block of imagery and you hone it down into your final story. Somewhere you end up with something kind of pretty to watch.
I don't remember the very first animation I saw, but the one that stays deepest in my memory is definitely 'Astro Boy.'
The way I formed my studio and how I organize things actually came out of the model of the Japanese animation studio and the manga industry. The manga industry is gigantic in Japan.
Boy you got my heartbeat runnin away
Beatin like a drum & it's comin your way
Cant you hear that
Boom badoom boom boom badoom boom bass
He got that super bass
Boom badoom boom boom badoom boom bass
Yeah that's that super bass
The fact that 'Astro Boy' appealed to me as a boy in America was proof that the story and character transcend cultural stereotypes.
I was an avid anime watcher until I was about 10, when I moved to manga. I think I am influenced by Osamu Tezuka's and Walt Disney's works which I watched during that time, such as Tetsuwan Atom and 101 Dalmatians.
I love all sorts of animation, probably the most beautiful would be the tradtional hand drawn animation that Disney is known for. Stop-motion has a certain "grittieness" and is filled with imperfections, and yet their is an undeniable truth, that what you see really exits, even it if is posed by hand, 24 times a second. This truth is what I find most attractive about stop-motion animation.
I can't single out one thing that influenced me. My generation was influenced greatly by the manga that came out during our childhood.
As a child, because manga was always around and I was reading it, I naturally thought, "Hey, I'd like to draw manga - I'd like to be a manga author!"
As a child, because manga was always around and I was reading it, I naturally thought, 'Hey, I'd like to draw manga - I'd like to be a manga author!'
More than my films being influenced by manga I was indelibly impressed by Manga, and that definitely comes out in the films.
I always thought my father [influenced me most] because he was so well read, I tried to model myself on him, but really as I go through life I realise it was my mother who gave me the most valuable instructions. I didn't understand or accept it at the time. She taught me to read and to pray - two things that have really stayed with me.
I'm home! Yuki-Kun, Tohru-Kun, I'm home! Oh, and let's not forget Stupid-clumsy-Kyo-Kun-who-lost-yet-another-fight!" -Shigure
I'm part of the first generation who grew up with manga [comics] and anime [animation], you know, after 'Godzilla.' I was absorbed with Ultraman on TV and in manga. The profession of game designer was created really recently. If it didn't exist, I'd probably be making anime.
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