A Quote by Akira Toriyama
I was one of the more talented ones at the design firm I joined, so I conducted my work pretty shrewdly. Except I wasn't a morning person, so I was quite frequently late for work. On top of that, it was a fairly big company, they were fussy about the dress code, and I got chewed out quite often.
Related Quotes
For years I thought I was just a writer, but when I sat down to design and started playing around with it, I realized that, really, it's pretty easy. Obviously it's more than just a set of rules, but the basics of design are actually pretty simple and quite mathematical. The link between data and design works at quite a fundamental level.
I don't get too fussy about food around games. It is more just a case of making sure I get some fuel on board. But I quite enjoy poached eggs and toast in the morning so I often go for that before training.
Film work is hard work. It's long days, and quite often quite dismaying locations you have to be in.
I joined a very male-dominated profession back in 1986. I wanted to work with big multinational Fortune 500 companies, but you don't come into the firm and automatically get those. So, quite frankly, a key to my success was that I found male mentors and male sponsors. I think some women are afraid to say that.
I used to get in trouble with my old agent, because I've never been driven by fear or need or greed. I want my work to represent me as a person, so I can be quite fussy.
Now I'm a pretty lazy person and am prepared to work quite hard in order to avoid work.
Quite often very talented people FAIL because they believe they are too big to do the little things, while the most successful amongst us are quite willing to do the little things. They truly are BIG people.
In those days we were punished very frequently and I felt that it was often unjust, and so I would resist the desire to agree with many, many things. So I used to get beaten quite frequently and I more or less accepted it as part of life.
When we got quite big and were generating a lot of money through the arenas, we became quite a big thing, and a lot of managers appeared, and it became a big machine, like we were in Pink Floyd or something, and I don't think we were into that. We didn't really compromise.
Quite often, while I'm getting up in the morning, I think my warranty is running out on these body parts because it's not working quite the way it used to.
I'm quite good friends with the putative director, Vincenzo Natali, and I'm a big fan of his work, but beyond that, I don't like to talk about other people's work work-in-progress.
America has borders. You have quite strict borders, actually. Even getting a work permit in New York actually is quite a difficult thing to do. I've got to prove I've got an address. I've got to prove I have private health care. And when my work permit runs out, if I haven't left, there'll be a knock at the door, they'll put me in handcuffs and take me to JFK Airport. That's how you guys do it.
I met a guy, and we were seeing each other for about a month or so, but as it got more intense, I started to freak out a little bit. I hadn't been in a relationship for quite a while, and I just said I was going away and not sure if it was going to work.
I've always been able to work as an actor and support my family and did great jobs, and more often than not, I got to turn down jobs that I didn't really want to do for various reasons or refuse to work with people I didn't like - and there are quite a few.
But I'm still a work in progress. My mother calls me quite frequently with various critiques of my performance on TV and other public events. She's usually pretty severe with her comments.
Most people respond to my paintings quite generously, but there have been cases where I think people - a few critics in particular - were actually moved by the work but were disturbed by the feelings it evoked, so they attacked it. Some people find the realm of my work quite uncomfortable.
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