A Quote by Akira Toriyama

If you're doing gags, I think it's important to have characters who are as strong-willed and impactful as possible. — © Akira Toriyama
If you're doing gags, I think it's important to have characters who are as strong-willed and impactful as possible.
When I started 'Hudson Hawk,' I realized I was dealing with a strong-willed producer, a strong-willed actor, and, at times, a strong-willed studio, and I was the junior partner in all of this - the guy who hadn't proven anything in terms of box-office success.
I'm strong-willed. Architects are strong-willed. You get the best results with a strong client and a strong architect working together.
A strong-willed child - a strong-willed child, more than anyone else, needs to learn to use emotion and discussion to resolve issues. That's the last child in the whole world you want to hit.
When you create those characters that people love and care about and put them in a dark hallway, already the audience is on edge, and they feel empathy for that character. Then it's up to me to decide what jumps out in that hallway. So I think laying that foundation of strong characters and strong story is the most important thing in a horror film.
I’m a bit of a feminist and I carry a machete! I try to be a strong female. I think it’s important. My mum is my idol in life. She’s a very strong woman. I think it’s important for women to be strong and intelligent and hold their own.
You look at Kerry Washington on 'Scandal,' and a lot of the women on that show in general are very strong, and I think we're seeing it more, and I'm excited because when I was doing Dana Gordon on 'Entourage,' there weren't a lot of strong female characters, which is why I think she came out as such a standout character.
I don't think it's aiming at gags, I think the humour is woven into it. It's part of how the characters operate and how they deal with disaster because they're worldly enough to have a bit of irony and wryness about their own circumstances. So, I think the humour comes out of that.
I've always liked shows that have a strong cast of secondary characters. One of the greatest examples ever I would say is 'The Simpsons.' If you think about it, you could name 100 characters recognizable from that show. I think 'Scrubs' has done a good job of having a strong team coming off the bench.
Having studied in a girls school, I was always surrounded by women, all of who were strong-willed and came from army backgrounds, that played a very important role in my life.
I think that I write much more naturally about characters in solitude than characters interacting with others. My natural inclination - and one that I've learned to push against - is to give primacy to a character's interior world. Over the three books that I've written, I've had to teach myself that not every feeling needs to be described and that often the most impactful writing more elegantly evokes those unnamed feelings through the way characters speak and behave.
I've made my kids strong-willed and strong-minded where they know music from reality.
Even while I'm really interested in playing female characters that are varied and interesting and dynamic, I'm not of the mind that you always want to play strong female characters. I think I just want to play characters that are interesting, and not all people are 'strong.'
I think I was born strong-willed. That's not the kind of thing you can learn. The advantage is, you stick to what you believe in and rarely get pushed out of what you want to do.
In a world where people are equal, I feel it's important to have strong male characters, counterparts. Equality is important. It's about compatibility and compassion. And it's amazing.
I'm not rebellious, but I am very strong-willed. I know what I believe in, and I know what I think is right.
I like strong women. I think a lot of women relate to strong characters, and a cop is still a strong character.
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