A Quote by Akira Toriyama

I say that I've never been late with a manuscript, but I don't mean to be arrogant; it's that I simply want to get it done as soon as possible so I can be set free. — © Akira Toriyama
I say that I've never been late with a manuscript, but I don't mean to be arrogant; it's that I simply want to get it done as soon as possible so I can be set free.
It's not enough say, "Look, bankers were immensely greedy and that they committed lots of frauds." I mean, that's not, they were set free, that sort of particular proclivity in human nature was set free to do its best and its worst. Politicians and regulators are consumers of ideas. They never have any ideas of their own, it would take too much like hard work to develop ideas, you get them off menus and you pick the ones that suit you. Financial services were set free to go beyond their rightful place, a place by which they have been restrained in the past.
I'm never late, and I love that. Because when you've got three kids and a life to be living, and somebody's half an hour late to set, you start to get a little bit like, 'Come on. Come on, let's get this done.'
I'm a curious person. I like to ask questions. Well, why? People would say, it's never been done. It's never been done does not mean that it can't be done.
To me, one of the greatest triumphs in doing a book is to tell the story as simply as possible. My aim is to imply rather than to overstate. Whenever the reader participates with his own interpretation, I feel that the book is much more successful. I write with the premise that less is more. Writing is not difficult to me. I read into a tape recorder, constantly dropping a word here and there from my manuscript until I get a minimum amount of words to say exactly what I want to say. Each time I drop a word or two, it brings me a sense of victory!
I always try to work hard and get things done as soon as possible, but never at the loss of quality of the product.
I've been working on a collection of prose vignettes about girls I've had crushes on, from the age of six to the age of eighteen. This manuscript is thematic and organized in a way my poems about my friends aren't. My friends get into the poems simply because they mean a lot to me.
When I so pressingly urge a strict observance of all the laws, let me not be understood as saying there are no bad laws, nor that grievances may not arise, for the redress of which, no legal provisions have been made. I mean to say no such thing. But I do mean to say, that, although bad laws, if they exist, should be repealed as soon as possible, still while they continue in force, for the sake of example, they should be religiously observed.
We hope and we've made clear that the forces need to come out. It needs to be full and complete withdrawal. Our position is it needs to be done as soon as possible so that the elections can be free, fair and free of outside influence.
I've always been more than a little mystified by poets who seem to think talking to people as directly as possible is a bad thing. I mean, I don't want to set up a straw man here: I understand that for many poets - and for me, at times - writing truly means writing in a way that is difficult, simply because the poem is trying to grasp for something elusive. So the difficulty of the poem is just unavoidable, and not in any way artificially imposed. So "as possible" is the key part of the phrase above, I suppose.
I've done a lot of fight scenes, and I always find that it's better that they be meticulously choreographed. You want them to look as real as possible, but you don't want anyone to get hurt. So I believe in really working it out in rehearsal, and when you get to the set, just go for it 100 percent.
I want to start recording and writing as soon as I can and get music that I love out as soon as possible.
How can I set free anyone who doesn't have the guts to stand up alone and declare his own freedom? I think it's a lie - people claim they want to be free - everybody insists that freedom is what they want the most, the most sacred and precious thing a man can possess. But that's bullshit! People are terrified to be set free - they hold on to their chains. They fight anyone who tries to break those chains. It's their securityHow can they expect me or anyone else to set them free if they don't really want to be free?
All I know is that I've wasted all these years looking for something, a sort of trophy I'd get only if I really, really did enough to deserve it. But I don't want it anymore, I want something else now, something warm and sheltering, something I can turn to, regardless of what I do, regardless of who I become. Something that will just be there, always, like tomorrow's sky. That's what I want now, and I think it's what you should want too. But it will be too late soon. We'll become too set to change. If we don't take our chance now, another may never come for either of us.
It's never been difficult for me to say no. I have never given excuses like I don't have dates. I have never over-quoted to avoid a project. I simply say that while the script might be good, I can't connect with it. My strategy is that while I wouldn't want anyone to waste my time, I shouldn't be doing that, either, with others.
It's really easy to finish a movie and sort of immediately dive into the next one, because I love working with actors so much and being on set, my inclination is to try to get back to that as soon as possible. There's just never much of a gap.
To free a man from suffering, he must be set right, put in health; and the health at the root of man's being, his rightness, is to be free from wrongness, that is, from sin. A man is right when there is no wrong in him. I do not mean set free from the sins he has done: that will follow; I mean the sins he is doing, or is capable of doing; the sins in his being which spoil his nature — the wrongness in him — the evil he consents to; the sin he is, which makes him do the sin he does.
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