A Quote by Akira Toriyama

I'm good at - or, rather, I like - giving names to characters. — © Akira Toriyama
I'm good at - or, rather, I like - giving names to characters.
I like straightforward names for my characters. When I get too symbolic with names or places, I start feeling like the characters and the story are less read, and I lose interest.
There are twenty-four characters in this book named Max. Let there be an end to this silly business of authors never giving their own names to characters in their novels. False modesty, faugh!
A certain critic -- for such men, I regret to say, do exist -- made the nasty remark about my last novel that it contained 'all the old Wodehouse characters under different names.' He has probably by now been eaten by bears, like the children who made mock of the prophet Elisha: but if he still survives he will not be able to make a similar charge against Summer Lightning. With my superior intelligence, I have out-generalled the man this time by putting in all the old Wodehouse characters under the same names. Pretty silly it will make him feel, I rather fancy.
I am interested in names and what they say; it is true. I like to look at the columns of baby names in the newspapers. But I don't run out of new ones for my characters.
You could have names like Hatred; you could have names that mean something like Suffering or Poverty. So names are not just names: names have real meaning, and they tend to tell the world about the circumstances of your parents at the time that you were born.
Doing the movies and meeting the people, and I like the stories of the movies. I like names a lot, too. When I do an audition, there is a script and it has a first page that has the names of all the characters. I'm like, “Let me see that real quick, I wanna see what my name is gonna be.
The really good thing about my career is that I never went through a phase where I played characters who had names like "Partygoer," "Waiter," or "Guy #1."
I collect names for characters. Names are valuable; they can be your first source of insight into a character.
For some reason, all my characters come to me with their names attached to them. I never have to search for the names.
My mom was a model, so she's been really good about giving me tips on how to navigate behind the scenes - like the importance of being nice to everyone on set and remembering people's names, to how to be a positive part of the photo shoot and stuff like that.
Ecclesiastes names thee Almighty, the Maccabees name thee Creator, the Epistle to the Ephesians names thee Liberty, Baruch names thee Immensity, the Psalms name thee Wisdom and Truth, John names thee Light, the Book of Kings names thee Lord, Exodus names thee Providence, Leviticus Sanctity, Esdras Justice, creation names thee God, man names thee Father; but Solomon names thee Compassion, which is the most beautiful of all thy names.
I don't like giving names to generations. It's like trying to read the song title on a record that's spinning.
Man, in his sensitivity, does not give names to animals he intends to eat but goes on giving names to children he intends to send to war.
The American horror movies are more moralistic, they have not only good characters, but characters where the ultimate danger is death. What I like about European cinema is they have another sense of what's good, what's bad, and sometimes all the characters are far more complex than just that. It's less binary, the Giallo genre.
I think it's definitely beneficial for these characters to have good acting voices behind them and it affects the characters in a way that people can feel like they're part of the game and that they know these characters.
Christian morality (so called) has all the characters of a reaction; it is, in great part, a protest against Paganism. Its ideal is negative rather than positive; passive rather than action; innocence rather than Nobleness; Abstinence from Evil, rather than energetic Pursuit of Good: in its precepts (as has been well said) "thou shalt not" predominates unduly over "thou shalt.
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