A Quote by Akira Toriyama
I think comics are faster to draw with a pen and then fill and tone by computer. But my illustrations are all done via computer. I even draw the lines on a tablet.
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When we draw on the tablet, the drawing shows up on the computer screen. If we have chosen to tell the computer that the stylist is to behave like a piece of chalk, or a pen, or a wet brush, it will.
If you want to draw comics, you really have to love to draw, as you will be spending many hours sitting down with a pencil or pen in your hand.
People who draw tend to think they're craftsmen, so they really want to hang onto their pens and papers, but it's not terribly productive. To be honest with you, it's faster and easier to start with the computer.
I have a real aversion to machines. I write with a pen. Then I read it to someone who writes it onto the computer. What are those computer letters made of anyway? Light? Too insubstantial. Paper, you can feel it. A pen. There's a connection. A pen goes exactly at your speed, whereas that machine jumps. And then, that machine is waiting for you, just humming "uh-huh, yes?
I don't think you can set up a computer to do a strike zone on a guy who's 6-foot-5 and then a guy who's 5-8. Where does it draw the line? One guy stands tall, and another squats down, and it changes the lines. Nah. I still love the umpires; they do a great job. I don't have a problem with any of that.
What's the Future? It's a blank sheet of paper, and we draw lines on it, but sometimes our hand is held, and the lines we draw aren't the lines we wanted.
When I was a kid, I could draw, and my ambition was to be a cartoonist. I wanted to draw comics. But I also liked newspaper comics.
I vividly remember my first 'Superman' comic, which my granddad bought me when I was about 7. From that point on, all I wanted to do is draw comics. And specifically, superhero and science fiction comics. Basically I used to copy comic books, and draw my own comics on scrap paper.
I draw all the time. Drawing is my backbone. I don't think a painter has to be able to draw, I just think that if you draw, you better draw well.
I found out animation is incredibly boring. You draw and draw and draw, and it's only a few seconds done in a week.
We're in an inflection point where it's cheaper to learn to read on a tablet computer than it is to learn to read on paper. And that being the case, it's only a matter of time before every 6-year-old kid has a tablet computer, and we know for a fact, 3- to 4-year-old kids are using tablets and iPads, and 75 and 80 year olds are using them.
I can write faster on a typewriter than you can on a computer. I do 120 words a minute, and you can't do that on a computer.
A draw is the lesser of two evils. A loss or a draw, then obviously we are going to take the draw.
I have the Muji pen that has different colors. My daughter loves to play hangman, or we draw. It's important you can draw a rainbow at all times.
Films are made the same today, as they've ever been made, in certain respects. The scriptwriting, the pre-production, the storyboarding, and the designing are all the same. The technique of animation has changed, in the sense that rather than drawing it by hand, we use a computer as a tool. The computer has become a pencil to draw or paint the images that we see in a film.
I was asking questions which nobody else had asked before, because nobody else had actually looked at certain structures. Therefore, as I will tell, the advent of the computer, not as a computer but as a drawing machine, was for me a major event in my life. That's why I was motivated to participate in the birth of computer graphics, because for me computer graphics was a way of extending my hand, extending it and being able to draw things which my hand by itself, and the hands of nobody else before, would not have been able to represent.
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