A Quote by Akkineni Nagarjuna

Usually after a shot, we look for a chair to rest our feet. In 'Oopiri,' it was the other way around. After every shot, I was on my feet, walking around the set trying to get the blood circulation in my legs working properly.
It felt as if I was suddenly walking around in wet socks, weighing my feet down as if two kids were sitting on my feet with their legs wrapped around mine.
All I knew about shot putting was that my [older] brother could do 44 feet. I decided I wanted to beat him. . . . So I got a shot and went to work and made up my mind to do 45 feet.
There are a lot of players who fiddle around with their towel in your shot or they get up out of their chair to see if a ball's on when you're about to play your shot.
I'm fast and I move well so I know how to come in at weird angles and keep my feet under me. I'm looking for that power shot and I might not be able to fire off anything after it if my feet aren't under me. Footwork is a huge part of my game.
As every golfer knows, no one ever lost his mind over one shot. It is rather the gradual process of shot after shot watching your score go to tatters - knowing that you have found a different way to bogey each hole.
Every shot feels like the first shot of the day. If I'm on the range hitting shot after shot, I can hit them just as good as I did when I was 30. But out on the course, your body changes between shots. You get out of the cart, and you've got this 170-yard 5-iron over a bunker, and it goes about 138.
After college, I really looked at every single shot that I shot. Pretty much every shot in my sophomore year and my junior year and just watched my form. I watched how I shot it from 3, and I just noticed I was a very undisciplined shooter.
My biggest dream is that my words will inspire heart, hope and personal responsibility in people around the globe long after my feet in these shoes aren't walking the planet.
I run Willow Management, which is the biggest agency for other short actors. We look after performers who are either under five feet and over seven feet tall.
The calluses on your feet in space will eventually fall off. So, the bottoms of your feet become very soft like newborn baby feet. But the top of my feet develop rough alligator skin because I use the top of my feet to get around here on space station when using foot rails.
If you hit a bad shot, just tell yourself it is great to be alive, relaxing and walking around on a beautiful golf course. The next shot will be better.
A shot that goes in the cup is pure luck, but a shot to within two feet of the flag is skill.
We've been conditioned to understand music as a field where you get discovered, and you're always trying to find that end. So 'my shot' is speaking of a variety of shots. When you're a rapper, you look at every shot as the one you're supposed to take.
If I'm ever working on a set and anyone talks about a master shot, I say there is no master shot. Before I even went to film school, I learned about movies by being in a British feature film, where everything was shot master shot, mid-shot, close-up. But I reject the idea of a master shot. You don't shoot everything mechanically; you find imaginative ways that serve the action.
To do this walk, I believe it's around 2,000 feet, to go from the U.S. to Canada. I would train walking a wire almost 8,000 feet, to overtrain for this.
I always thought the objective of basketball was to get the maximum amount of movement to get the easiest shot, closest to the basket. With the three-point rule, the whole strategy changes, and you make a move and then throw it 30 feet out, where somebody takes a standing jump shot.
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