A Quote by Akkineni Nagarjuna

I can confidently say that I am comfortable with all the directors, co-star and producers with whom I have worked; there have been absolutely no tensions. — © Akkineni Nagarjuna
I can confidently say that I am comfortable with all the directors, co-star and producers with whom I have worked; there have been absolutely no tensions.
I can say yes to some directors without even reading a script. But the first-time directors I've worked with, the scripts have not been perfect, but they had something that I liked.
I can say pretty confidently that I am not the right guy to do a superhero movie, just because I was not a comic book kid. I don't know that mythology, and I don't have it ingrained in me in the way that a lot of these other directors do.
After Star Trek, I was with the top agencies, but producers and directors did not know what to do with me.
I didn't feel comfortable as an executive. I felt comfortable around artists and record producers... and then I found my niche: I gotta find great producers, and I produce them.
The best directors I've worked with, they all have the same thing in common. They're the first to say, 'I don't know.' If you ask them, 'How are we actually pulling off this movie?', they'll just shrug and go, 'I have absolutely no idea.'
I worked in feature film casting right out of college and spent a lot of time working with actors, directors, and producers.
It's nice, because after you've worked with various directors and producers enough times, they start to know your voice and what you're capable of.
In my life, I've been a movie star, a rock star, and a sports star, all wrapped up into one-and worked harder at it than anybody else.
There have been directors that I did not enjoy working with, but for the most part I realize that I have been unbelievably spoiled in my career because I have worked with some of the greatest, greatest directors ever.
I never look a gift horse in the mouth. And I've been really, really lucky. I'm aware of that. And my career has been given to me by the people I've worked with, no question. The actors, the directors, the cinematographers, the writers, all of whom gave me the opportunity to work in the way that I have and I'm really grateful.
Over the long haul I'd say that most directors I've worked with have been pretty sensitive to the quality of the interpreted scenes.
I am a professional and maintain good rapport with all my producers, directors and co-artists.
I'd worked with directors who wouldn't collaborate. Then I've also worked with directors who didn't really know what they wanted. I knew I didn't want to be either one of those guys - or girls.
I am not an established name in Bollywood and hence I can't call the shots. In Kolkata, I have proved myself and am in a position in the industry where directors and producers easily listen to me.
Supporters of the national front, Mosaddeq, believe that in Iran, we don't have a nationalities problem, we don't have an ethnic problem. It is like living with your wife, with whom you are in love and you are intensely involved in, but you also have tensions. And their position is that they want to deny that these tensions exist.
I have known a handful of producers who actually were equal or superior to the writers with whom they worked. These producers were a new kind of nonwriting writer hatched by the movies - as Australia produced wingless birds. They wrote without pencils or even words. Using a sort of mime-like talent, they could make up things like writers.
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