A Quote by Akon

As long as you're giving up quality records and you're makin' hit records, people are always gonna want to hear a hit and they'll always want to be attached to something that's doin' great.
As long as you're giving up quality records and you're makin' hit records, people are always gonna want to hear a hit, and they'll always want to be attached to something that's doin' great.
Makin' records is one art form and playin' live is another. It's like the difference between makin' a movie and doin' theatre.
I've only had a sit-down encounter with Robert once, and that one conversation was the best advice that I have gotten from any individual in the music industry. R Kelly told me that as long as I write life and not music I will always have a job. He listened to several of my records and told me that they were great records and for that to come from a man who has produced hit after hit gave me a comfort and reassurance that making honest and good music was not in vain.
The first listen is very important to me. Half of my favorite records just hit you in the face immediately with something memorable and within three-and-a-half minutes you know you've heard something really special. I want to make records like that, but it's a big challenge.
People are always coming up to me, thinking I've got some magic wand that can make them a star and I want to tell them that no one can do that. Making hit records is not that easy. But it took me time to realize that myself.
The game is always going to be bigger than the man and it doesn't matter what you are doing; records or whatever, somebody is just going to come along and break your records. But to achieve something that people would always look up to is something you will always appreciate.
I always want people to expect the unexpected, to hear me in records that have nothing to do with bachata. 'Golden' is the golden opportunity for them to appreciate me on other records.
I've been around for such a long time. My first hit record was over 20 years ago and the people who bought my records then are married now and they probably still play these records and their children like them.
I want to have hit records, but I'm not searching to say, 'All right, I need this to be in the club. I need this, that.' I'm just making quality music.
I make hit records. I make hit records to motivate the people.
That's what stock-car racing is. You hit someone, or you get hit. That's something I had to learn. It's a key factor in why I'm so aggressive. I don't want to have to hit you. But if you're going to hit me, I'm going to hit you.
I don't want people buying my records for this summer's hit. I want people buying them because they're interested in what Ministry will have to say in the future.
We always talk about our kids being a great way to judge whether it's a hit song because there's something very basic about the way they perceive the music that I think needs to be there if it's gonna be a hit.
People who care about records are always giving me a hard time. I mean, I would destroy records in performances, and break them, and whatever I could do to them to create a sound that was something else than just the sound that was in the groove.
A lot of artists go in the studio and say, 'OK, whaddaya want me to do? Is it gonna be a hit? I'll do it. Is it gonna get played on the radio? I'll do it.' So they start makin' these songs, and they fall in the same tempo, same category, same this, same that, and it'll just all sound the same.
You can make records from now 'til doomsday, and there are something like 50,000 records released every year, but the public gets to hear very few of these. They just won't know. They might be great records, but how in the world is the public supposed to find out about them?
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