Consider the core of the mind to be a wagon, with willpower to be carried about in it. Push it to a place where there can be failure, and there will be failure. Push it to a place where there can be success, and there will be success. But whether there is success or failure, if one entrusts himself to the straightness of this wagon of the core of the mind, he will attain right-mindedness in either case. Severing oneself from desire and being like a rock or tree, nothing will ever be achieved. Not departing from desire, but realizing a desireless right-mindedness - "this is the Way".
As an actor, the whole process of shooting for movie or television is so artificial though the final product may be extremely realistic to the viewer.
Auditioning is extremely bizarre. Just being an actor is extremely bizarre, but I wouldn't have it any other way.
Cultivate your desire for success to be greater than the fear of failure; Failure is merely a pitstop between where you stand and success. Failure allows you to learn the fastest; Failure inspires winners and defeats losers.
The whole gospel of Karl Marx can be summed up in a single sentence: Hate the man who is better off than you are. Never under any circumstances admit that his success may be due to his own efforts, to the productive contribution he has made to the whole community. Always attribute his success to the exploitation, the cheating, the more or less open robbery of others. Never under any circumstances admit that your own failure may be owing to your own weakness, or that the failure of anyone else may be due to his own defects - his laziness, incompetence, improvidence, or stupidity.
You have to fail, man, but you cannot allow failure to stop you from doing what you must do. Failing is just as good as succeeding in a lot of ways. It's how you react to it all. You can react to success the wrong way and be a total failure. Or you can react to losing with your whole heart, learn from it, and be a huge success. In stand-up, I've learned to know when I'm burning it up or when I'm being so-so. That's experience. I learn every single time I'm on a stage.
Success and failure are greatly overrated. But failure gives you a whole lot more to talk about.
We must recognise that nations can and do sin corporately. God loves nations, and I join those who believe that God has a redemptive plan for each nation, or for that matter for each city or people group or neighbourhood or any visible network of human beings. But corporate national sin damages the relationship of the nation to God and prevents that nation from being all that God wants it to be.
I employ case studies of failure into my courses, emphasizing that they teach us much more than studies of success. It is not that success stories cannot serve as models of good design or as exemplars of creative engineering. They can do that, but they cannot teach us how close to failure they are.
Success and failure are both difficult to endure. Along with success come drugs, divorce, fornication, bullying, travel, meditation, medication, depression, neurosis and suicide. With failure comes failure.
To be a flamboyant failure, that's better than being any kind of benign success
Failure is so important. We speak about success all the time. It is the ability to resist failure or use failure that often leads to greater success. I've met people who don't want to try for fear of failing.
Acting can be a very cruel mistress. It's not a meritocracy. In other walks of life, by being good at what you do, you can achieve success. That isn't always the case in this business. Every actor knows that.
Failure is an extremely personal thing, and so is success. The problem with people is they don't own their failure, and if you don't own your failures, you're never going to own your successes.
Factors such as timing, luck, and destiny have a bearing on success. But success and failure are good teachers. Failure means something better is waiting for you. But I will allow myself to get upset at failure only if I know I have not given it my all.
As a musician-turned-actor, you ordinarily face one of two scenarios. Either all the pressure of success or failure is on your shoulders, so if the picture does poorly, you might never get another movie role, or you have a situation where you already have an anchor, which allows you to work your way up the ranks.