A Quote by Al Barr
I don't think you ever write a song with any intention except the song's about such and such per say ... we've never written a song and thought 'oh it'd be great if in this part this happened in the audience'.
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Actually think anybody ever approaches writing any song, I think the song approaches them, truth be told. Usually what happens is that a song arrives and afterwards you say that "I wrote the song," and it's not actually true; they find you, they write themselves.
I'm never sure if I'll ever write another song, what the song will be about and if what initially sparked the beginning of a song might complete it.
An audience will let you know if a song communicates. If you see them kind of falling asleep during the song, or if they clap at the end of a song, then they're telling you something about the song. But you can have a good song that doesn't communicate. Perhaps that isn't a song that you can sing to people; perhaps that's a song that you sing to yourself. And some songs are maybe for a small audience, and some songs are for a wide audience. But the audience will let you know pretty quickly.
I would never sit and write a song in front of anyone, because you're so vulnerable. I don't know at what point in the process that it becomes acceptable to pass them on. When a song wants to be written, it will be written. When it does come, I will very rarely go back and edit lyrics. I'm quite a rational human being, and the only part of my life that I can't rationalise, or can't make sense of, is how a song gets written or why.
When I first start writing a song, I usually write the title first, then the song, and I'll sing the song in my head and think of a visual of the song. If I can't think of a visual behind the song, I'll throw the song away.
The difference between a good song and a great song is a good song is one that you know, you'll put on in your car or you'll dance to it. But I think a great song you'll cry to it, or you get chills. I think a great song says how you feel better than you could.
I can sit in my room and write a song that I think might be a hit. I can sort of make myself do that, and then I'll play it to a friend, and they'll say, 'Oh, that's nice.' But when something happens to me, and I sit down and write a song to get rid of my emotions, they'll turn around and say, 'Wow, that's great.'
I would say a great song [is where] you like everything in the song. The lyrics move you, the beat makes you want to dance and you feel invincible when you listen to that song. A good song I think you can listen to but you get tired of it really fast.
I was one of those guys, you know, playing and singing, and there was no reason for me to write a song, because there were so many beautiful songs out. And Bob Dylan was always the ultimate songwriter, and nobody could ever write a song as good as him, and nobody ever has written a song as good as him.
Johnny [Depp] got this rock 'n' roll old soul to him. If I say a song, he goes, 'Oh yeah. I know that song.' A song he shouldn't know, a song that's not his generation at all. So he might as well have been there.
You can write a song for someone, and then their mom doesn't like it, and then it doesn't get released. It could be the best song that you've ever written. I hated that, because I didn't have any control.
I don't ever have the pressure of making a hit, because I've never had a hit song, per se. The closest thing to a hit song was 'Shiraz,' and it's not your prototypical hit song, with a catchy hook and all this other stuff.
Looking at the original lyrics [of "A Song For You" ] as I was preparing it, I thought, "Wow! I feel like it was written for me." That's what a great song does. You don't have to do a lot of homework. You can just say the words and it springs to life.
If you write a country song, and it's the best song you've ever written but throw it out because you're a metal band, you'd be an idiot.
I was just fooling around with the piano and Todd [Phillips] was like, 'Hey there's a great spot in the movie [The Hangover] where we need a little bit of a breath in the narrative. You should write a song and stick it in there.' And I was like, 'Well, what should the song be about?' And he said, 'The tiger.' 'Oh, okay.' So I went off and I wrote this song. I came back and Todd and I tinkered with it a little more and then we shot it right then. It all happened in a day.
I don't wake up in the morning and say, 'Jeez, I feel great today. I think I'll write a song.' I mean, anything is more interesting to me than writing a song. It's like, 'I think I'd like to write a song... No, I guess I better go feed the cat first.' You know what I mean? It's like pulling teeth. I don't enjoy it a bit.
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