A Quote by Al Capone
I got nothing against the honest cop on the beat. You just have them transferred someplace where they can't do you any harm. But don't ever talk to me about the honor of police captains or judges. If they couldn't be bought they wouldn't have the job.
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I got family members that's police officers. I don't got no problem if you a cop, as long as y'all doing y'all job, and y'all not harassing.
In France they spend six months training policemen, then they give them a gun and put them on the streets, and I don't know that that's enough. The film's not against the police - although I think that if someone wants to be a cop there's got to be a problem.
What attracted me about my mirrors was the idea of having nothing manipulated in them. A piece of bought mirror. Just hung there, without any addition, to operate immediately and directly. Even at the risk of being boring. Mere demonstration. The mirrors, and even more the Panes of Glass, were also certainly directed against Duchamp, against his Large Glass.
The Violence Against Women Act is so important. It provides money to train the cop on the beat, to train the judges that this is a new day, that we won't tolerate this violence and to know how to deal with it.
If you play a match, then you got to give it all to beat the opponent; there is nothing like playing against a great or a non-great player. I treat them all as opponents and aim to beat them.
Be ever gentle with the children God has given you; watch over them constantly; reprove them earnestly, but not in anger. In the forcible language of Scripture, "Be not bitter against them." "Yes, they are good boys," I once heard a kind father say. "I talk to them very much, but do not like to beat my, children--the world will beat them." It was a beautiful thought not elegantly expressed.
I`m a former mayor. I know that being a cop is not an easy job. But when
police officers misbehave, they`ve got to be held accountable.
In Crash, you've got a pathological cop who at the end justifies police brutality. He tells the naïve, young cop that you're going to end up the same as him. He's the most sympathetic character in the movie. So, the naïve cop ends up murdering this Black kid and tries to cover up the evidence. It sort of justifies police brutality and the planting of evidence which is what happened in the O.J. Simpson case.
If you talk to any cop, however hardened, and say, "Has anything that's ever bothered you", they'll tell you about the death of a child that they had to deal with.
And there's a cop over there." "What?" the boy said, glancing at the D.C. police officer that stood at the corner of the street, "You think that guys can do a better job protecting you than I can?" Actually, I thought Liz could have done a better job "protecting" me than he could, but instead I said, "No, I think if you don't leave me alone, I can scream and that cop will arrest you." Somehow the boy seemed to know it was a joke.
Whether you talk about the olive oil, whether you talk about Aceto Balsamico, whether you talk about Grana Padano, whether you talk about Mozzarella di Bufala. These are all traditional Italian products that are hard to beat, and they're easy to transport and buy. You don't have to do much around it. Just eat them.
Well can I just make a point about the numbers because people talk a lot about police numbers as if police numbers are the holy grail. But actually what matters is what those police are doing. It's about how those police are deployed.
The worst job I ever had was working as a Lady Liberty sign-twirler for a tax services place, where I'd just dance and have fun. The way I talk about it makes it sounds like a fun job - but then I got a staph infection from the costume. So that was probably the worst part about it.
I have noticed that nothing I never said ever did me any harm.
I get too involved with my job. If I was to do anything besides acting, I would be a fireman or a beat cop. I'd do a regular job.
For me, honest critique is not all about your feelings and your ear. Honest critique is sitting down with an album that you may not put on in your spare time, and really digging into that album, so you can talk about the beat selection.
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