A Quote by Al Franken

Yeah, but you need an experienced radio veteran who is a liberal advocate. And there just hadn't been any radio that did that. And so they weren't trained - they had developed all these bad habits of being objective and balanced and stuff like that.
To be honest, the search for a label was really weird, because some of the labels that you wouldn't expect to care about stuff like radio formats were the ones that did care. They were like, 'Yeah, we love this record, but what are we going to play on the radio?' And I was like, 'You don't have bands on the radio.'
I've always been fascinated with radio and broadcasting. I did fake radio shows as a kid, where I was a DJ and stuff like that.
Radio people can't entirely shake off radio habits when they start doing podcasts. They sometimes bring with them things we don't need, like producers and explanatory voiceovers.
My father being a Caribbean minister, one day I stole the radio. The radio that I stole, I took it to school, showing off how big this boom box was and how bad I was at the time. Once my father figured out where I left the radio, he then got his belt and he walked me, he beat me all the way to where I had hid the radio, and with the boom box.
When I first started, it was the real basic stuff that was being played on the radio, so I was into Zeppelin, and Sabbath, and AC/DC, and all stuff like that. I grew up in New York, on Long Island, so the local radio stations played all that kind of thing.
I've been in radio, God, twenty years. I started as a stand-up comedian. I wanted to be Carol Burnett when I was growing up. Radio was just kind of an accident. I did morning radio in my hometown of Buffalo, then went to Rochester, then Chicago, and then New York.
When I was 10, I would hear songs like "I Love You Always Forever" by Donna Lewis on the radio, and I want to make stuff that a 10 year old might hear coming out of the radio and think, "Yeah! I love this!"
If I weren't playing baseball, I would be a radio or sports broadcaster. In college at South Carolina I did some stuff with the radio station and really liked it.
'Soul Train' was developed as a radio show on television. It was the radio show that I always wanted and never had.
Soul Train' was developed as a radio show on television. It was the radio show that I always wanted and never had.
I was really amazed when I started hearing 'Songbird' on the radio. I couldn't believe that the record company promotion department had actually convinced radio music directors to play it -because there wasn't anything like it on the radio at the time.
I had no allusions of radio success. I just loved being in studios. I was having fun and in that sense I now feel a lot like I did when I did that record.
When my generation, those early days of television - I know I've been thinking about this lately - my two flashes of me as a little boy. One, I'm standing in front of the radio freaking out that Nat King Cole's singing 'Lady of Spain', just this stuff coming out of the radio, and Guy Williams singing 'Wild Horses' coming out of the radio.
Ironically, the success I've experienced at country radio has left me ostracized from pop and other formats of radio.
I had the little Radio Shack crystal radio, and then my aunt Judy bought me a shortwave radio. It was amazing to me: like on these really clear nights - I lived in Ohio - I could get Texas or Florida. You felt like the world was a smaller place.
The study of celestial phenomena at radio wavelengths, radio astronomy came into being after the accidental discovery of cosmic radiation by radio engineer, Karl Jansky in 1933.
This site uses cookies to ensure you get the best experience. More info...
Got it!