A Quote by Al Franken
My spiritual life is... sometimes I have access to it and sometimes I don't. When I do have access to it, it's usually a sense of my understanding what the best course of action or the best thing for me to do. By best, I mean when I have a real sense of doing the right thing and doing good for people and the connected universe of everybody.
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When it comes to public policy, doing the right thing is more important than doing it for the right reason. The best way to get people to do what's right collectively is to make it the best thing for them to do individually. You have to give individuals a personal incentive to do what's right for society.
In my short career, I tend not to repeat myself. I have no interest in redoing something. Sometimes that makes people angry, and maybe it's not the best thing for me commercially. But it's the best thing for me artistically, and it's the best thing for my heart.
For me, the best journalism is usually the best storytelling, and the best stories are those of real people. Sometimes those real people are people in positions of great prominence or power or adverse situations, and sometimes it's just normal folks who help illuminate a situation, a place, a culture. And for me, that's always been the best way of telling a story.
In the short term, it absolutely feels devastating to break a bond of friendship. In the long term, it is the best possible thing. You're actually doing something noble and good if you do it in the right way. You can leave them with, "I wish you the best, but I have to take care of myself." Or you don't have to wish them the best. It's okay if you don't. Maybe they don't deserve the best. That's not up to you to decide. You not wishing someone the best is not going to make anyone's life not the best.
For me, policy is best when connected to the roots, and roots are best when connected to policy. So I encourage you all to stay connected...and walk with real people while doing the activism. Lord knows we need folks who are engaged.
The best thing about writing fiction is that moment where the story catches fire and comes to life on the page, and suddenly it all makes sense and you know what it's about and why you're doing it and what these people are saying and doing, and you get to feel like both the creator and the audience. Everything is suddenly both obvious and surprising ("but of course that's why he was doing that, and that means that...") and it's magic and wonderful and strange.
Sometimes you move publicly, sometimes privately. Sometimes quietly, sometimes at the top of your voice. And sometimes an active policy is best advanced by doing nothing until the right timeor never.
As a writer, you're always trying to say the best thing. You're always thinking about what's the best thing to say, and what's the hardest way to say it, and what's the best line? Sometimes the best line is the simplest line. Sometimes the best line is the line that evokes more feeling than actual wordsmithing.
What I'm good at is making sure we have the best resources, the best talent, the best marketing, and the best access to distribution.
Sometimes I'm doing a big movie, or sometimes I'm doing a TV show, but as an actor, it's almost the same thing for me. If I'm doing action, or comedy, or something more heartfelt, it's a different approach, but it's all acting for me.
My best experience as a writer was working with Michael Ondaatje. He let me dismantle his novel, reimagine it, and still had dinner with me and gave me good notes. But the best thing about writing has been the writer's life, the sense of being expressed, the ownership of the day, the entirely specious sense of freedom we have, however slave we are to some boss or other. I wouldn't trade it for any other life.
The greatest bad guys, you understand where they're coming from. They believe they're doing the right thing. Sometimes it's for greed, sometimes it's for other reasons, but they are what they call the center of good. They always believe they're doing the right thing.
Sometimes knowing what's right isn't a rational decision, or even what works on paper. Sometimes leaving is the best course of action after all.
The best thing that I learned from the best directors that I worked with is that the best answer wins. They are ego-less when it comes to doing the most important thing.
Instead of doing the best thing, we sometimes have to settle for the rightest thing.
One thing you learn about doing nonfiction is that you've got to get it right, fact-check, do your research. You've got to not only get the facts right but represent the subject to the world in a way that insiders feel like it's an access port and outsiders can access it. If you're too insider, you block access to anyone else.
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