A Quote by Al Gore

It's not unusual to find big political shifts that take place beneath the surface before they're visible above the surface. — © Al Gore
It's not unusual to find big political shifts that take place beneath the surface before they're visible above the surface.
I would like to mention some preparations that were required of me. The first preparation is to take a right attitude toward life. This means, stop being an escapist! Stop being a surface liver who stays right in the froth of the surface. There are millions of these people, and they never find anything really worthwhile. Be willing to face life squarely and get down beneath the surface of life where the verities and realities are to be found. That's what we are doing here now.
All art is at once surface and symbol. Those who go beneath the surface do so at their peril.
Genres are like the surface of the ocean. There are waves and things moving, but you don't instantly see all the reefs and ecosystems that's happening beneath the surface.
The creation lives as genesis beneath the visible surface of the work. All intelligent people see this after the fact, but only the creative see it before the fact - in the future.
Titan has no liquid water on its surface, and any liquid water beneath its surface is inaccessible to us, as far as we know. It has hydrocarbon lakes, but we don't know of any organisms that could live in those, not at the temperatures that we find on Titan. Any reference to possible life in lakes on the surface of Titan is pure speculation.
On the surface of the ocean, men wage war and destroy each other; but down here, just a few feet beneath the surface, there is a calm and peace, unmolested by man
You can't get at the thing itself, the real nature of the sitter, by stripping away the surface. You can only get beyond the surface by working with the surface. All that you can do is manipulate that surface - gesture, costume, expression - radically and correctly.
The ocean is interacting with the surface. There is a possible biosphere that extends from way below the surface to just above the crust.
The underlying tension of a lot of my art is to try and look through the surface appearance of things. Inevitably, one way of getting beneath the surface is to introduce a hole, a window into what lies below.
We have the tendency to judge others by their surface appearance, and to find only their negative qualities. But if we search beneath the surface we discover that a myriad of strains mix together to create a particular person's nature. The faults we perceive are likely to be the effect of circumstances, the psychological response to trauma, abuse, rejection, heartbreak, insecurity, pain, confusion, or disease.
Some of my favorite music is incredibly repetitive, or on the surface has an element of repetition. But once you go beneath the surface, you realize in the repetition is constant variation.
Beneath the broad tides of human history there flow the stealthy undercurrents of the secret societies, which frequently determine in the depth the changes that take place upon the surface.
Storytelling is more like a skin. You start with the outermost layer, what it's going to look like, then you kind of get deeper into it. What's actually going on beneath the surface is not really dictated by or related to the surface genre. It's more about what's going to happen between the characters and what's taking place in the story.
If you just take the time to look, then yeah, you will find some really great music in Holland. Just scratch the surface and look underneath the corporate surface.
I don't dig beneath the surface for things that don't appear before my own eyes.
As an actor, what's interesting is what's hidden away beneath the surface. You want to be like a duck on a pond - very calm on the surface but paddling away like crazy underneath.
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