A Quote by Al Green

My brothers and I had a gospel quartet, and that was the only music people listened to. But I was already gravitating towards songs by Sam Cooke, and then one day I put on a Jackie Wilson record, and baby, I was thrown right out of the house.
Dear Mama, don't cry, your baby boy's doin' good, Tell the homies I'm in heaven, and they ain't got hoods. Seen a show with Marvin Gaye last night, it had me shook, Drippin' peppermint Schnapps, with Jackie Wilson, and Sam Cooke.
A lot of times, that's hard to capture: what you sound like in person versus what you sound like on record. If I had total control, I would do a lot of the old songs - not only my songs but Sam Cooke songs, Luther Vandross, melody songs. That's what I would really do if I had an opportunity to do a record.
My father was very interested in music, and when he and his brothers were young, they had a singing group that used to open for Sam Cooke. There was always music in our house, but there wasn't much art around.
I always loved Sam Cooke, because he seemed very versatile. He sang gospel, soul, blues, pop music.
I always loved Sam Cooke, because he seemed very versatile. He sang gospel, soul, blues, pop music
The choice that I made was from my best music, for the songs that I knew that the public liked. Then, when I recorded my new songs I found that my old material had not faded, it was still current, the music was good and the songs were great. I sat in my house and listened, got the chills, and I thought, how great is that? It hasn't dated, it hasn't gone anywhere, and it's great.
Early on, before rock 'n' roll, I listened to big band music - anything that came over the radio - and music played by bands in hotels that our parents could dance to. We had a big radio that looked like a jukebox, with a record player on the top. The radio/record player played 78rpm records. When we moved to that house, there was a record on there, with a red label. It was Bill Monroe, or maybe it was the Stanley Brothers. I'd never heard anything like that before. Ever. And it moved me away from all the conventional music that I was hearing.
I'm the fifth generation of Seventh Day Adventists and the youngest of four brothers. When I was still very small, we formed a gospel quartet.
Sam Cooke had a huge influence on me. He left the gospel field at one point and went into the secular, and he had this huge hit, 'You Send Me.' Irma, my older sister, and I heard 'You Send Me' on the radio while we were driving through the South one night. We had to stop the car. We got out and danced around the car out on the highway.
None of the jazz greats made music for the purpose of you going to check out music before them. Michael Jackson didn't make music so you could go check out Sam Cooke.
Since I was growing up, I liked love songs - Smokey Robinson, Sam Cooke. That was the kind of songs getting the girls dancing.
I gave a Christmas party last year - well, two Christmases ago - where I did a Sam Cooke show. I didn't perform as R. Kelly. I performed the Sam Cooke show from 1964, when he performed at the Copacabana.
People like Sam Cooke and Otis Redding - I do not put myself in that category.
I had composed songs, I sang, and played the vina. Practising this music I arrived at a stage where I touched the music of the spheres. Then every soul became a musical note, and all life became music. Inspired by it I spoke to the people, and those who were attracted by my words listened to them instead of listening to my songs.
I grew up in a household in which they'd always play old skool classic R&B love songs - Al Green, Sam Cooke, Marvin Gaye... And my mom has even said that, when I was in her womb, she'd put the headphones to her stomach and play those songs to me!
People like Clyde McPhatter who came out of the black churches - like Sam Cooke and Aretha Franklin - were all church singers who became great pop singers because gospel singing is very close to the blues.
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