A Quote by Al Jarreau
I really do see it as the start of the second half of my career.
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For most singers the first half of the career involves extending one's repertoire, the second half trimming it.
Throughout my career, especially the second half of my career, I was always nerdy or anal when it came to how I prepared for my matches.
Once you score big runs at the start of your international career, you get really confident because that is one part which is really tough, as every player is nervous at the start of the career.
I believe the second half of one's life is meant to be better than the first half. The first half is finding out how you do it. And the second half is enjoying it.
I spent the first half of my career learning what to put into my work, and the second half learning what to leave out.
I think any start has to be a false start because really there’s no way to start. You just have to force yourself to sit down and turn off the quality censor. And you have to keep the censor off, or you start second-guessing every other sentence. Sometimes the suspicion of a possible false start comes through, and you have to suppress it to keep writing. But it gets more persistent. And the moment you know it’s really a false start is when you start … it’s hard to put into words.
To a sprinter, the hundred-yard dash is over in three seconds, not nine or ten. The first 'second' is when you come out of the blocks. The next is when you look up and take your first few strides to attain gain position. By that time the race is actually about half over. The final 'second' - the longest slice of time in the world for an athlete - is that last half of the race, when you really bear down and see what you're made of. It seems to take an eternity, yet is all over before you can think what's happening.
In India, the key is to start at the base and start very young. We need professionally trained talent, talent that wants to make football their career, and people must see football as a strong professional career option.
What, are you totally psycho?" I shouted. "Maybe I am!" he screamed back at me. "Maybe that's just what I am. Maybe I'm that quiet guy who suddenly goes nuts and then you find half the neighborhood in his freezer." I gotta admit, that one stumped me for a second - but only for a second. "Which half?" I asked. "Huh?" "Which half of the neighborhood? Could you make it the people on the other side of Avenue T, because I never really liked them anyway.
For is it not possible that middle age can be looked upon as a period of second flowering, second growth, even a kind of second adolescence? It is true that society in general does not help one accept this interpretation of the second half of life.
There's something hypocritical about a city that keeps half of its population underground half of the time; you can start believing that there's much more space than there really is-to live, to work.
The key to success for any woman who wants to have a really serious career and a family is to marry a guy who is going to take at least half the responsibility for the house and kids - and sometimes more than half.
The first half [of Valley of Violence] was to endear you to all these people and give you all these archetypes that you're familiar with, and then the second half, just to see all those archetypes unravel like real people.
On the second half of 'Under Pressure,' I talk about my family, and there are voicemails on my phone from when I was on the road that actually make up the second half of the nine-minute song. I transcribe them and rap them as if I were my sister, my brother, or my father.
I look at how we got beat and I thought the hustle points and the energy points were all gauged through offensive rebounds. I thought in the second half they got so many second-chance opportunities they could really run. It just seemed like they were going up our guys' backs. When you don't get any offensive rebounds and they start going the other team's way, it's almost like a snowball effect.
I did the movie [Valley of Violence] from two perspectives. You're with Ethan [Hawke] the whole movie, but for the first half, you're really with Ethan. For the second half, you're with him, but also you're with the bad guys because he kind of becomes the bad guy. No one's really good in the movie.
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