A Quote by Al Jarreau

I slept fourteen feet from a polka tavern as a kid growing up. I heard polkas all night long, people singing and drinking beers and having a great time. I know more polkas than Frankie Yancovic!
I know more polkas than Frankie Yankovic. I grew up next door to the Polka Tavern in Milwaukee. I can sing some polkas. And proud of that.
If a guy came up and said 'we got a polka band and we're going to play polkas next Saturday night' I'd play polkas.
When I was young, I was interested more in (singing the songs). ... I can't say I'm enjoying it more now than I did before, because I loved it when I first sang in Wales, in a pub or a club. I loved it then, getting up and singing. Or as a kid in school, I've always loved to sing. But I think when you've been around a long time, it's even more satisfying to think that people are listening to me now, and I've been in the business for a long time.
I love Viennese waltzes and polkas, and especially ceilidhs and old-fashioned formation dancing.
there's time for laughing and there's time for crying— for hoping for despair for peace for longing —a time for growing and a time for dying: a night for silence and a day for singing but more than all(as all your more than eyes tell me)there is a time for timelessness
And so I fell devoutly asleep and slept a long time, because young people seem to need sleep more than the old, who have already slept so much and are preparing to sleep for all eternity.
When I slept it was literally in the midst of an arsenal. If I heard dogs bark more fiercely than usual, or the feet of horses in a greater volume of sound than usual, I stood to arms.
One night in Tokyo we watched two Japanese businessmen saying good-night to each other after what had clearly been a long night of drinking, a major participant sport in Japan. These men were totally snockered, having reached the stage of inebriation wherein every air molecule that struck caused them to wobble slightly, but they still managed to behave more formally than Americans do at funerals.
The kid dead on the ground. Fourteen, Ash. Fourteen. I’m fourteen.” – Nick “Yeah…” – Acheron “Ash, I’m fourteen.” – Nick “Got it. You’re fourteen. I’m so proud you can count that high. It’s a testament to the modern American educational system. But I should probably point out that you’re not the only one. I’m told you go a school with a whole class of – get this – kids who are fourteen.” – Acheron
I don't think it's something that people would ask a man. Some people make a huge deal out of the fact that I sing about drinking all the time, but I don't think of it as singing about drinking. It's singing about emotions, and sometimes that centers around drinking. To me, I'm writing about things that I'm going through that mean something to me, but some people just reduce it to: "She must drink all the time." But if a guy sings about that sort of thing, no one really looks twice.
I spent the night on a sliver of rock high up on the east face of Long's Peak, climbing with Tom Frost, and slept at the icy feet of the Dru, listening to the lightning crack above me and the thunder roll down. I only did it to write about it. I would never go up on the Grotto Wall for fun.
I was tired of an outlaw's life. I have been hunted for twenty-one years. I have literally lived in the saddle. I have never known a day of perfect peace. It was one long, anxious, inexorable, eternal vigil. When I slept it was literally in the midst of an arsenal. If I heard dogs bark more fiercely than usual, or the feet of horses in a greater volume of sound than usual, I stood to arms. Have you any idea of what a man must endure who leads such a life? No, you cannot. No one can unless he lives it for himself.
In more than 20 years of opening beers with guys, I have NEVER seen the Swedish Bikini Team show up. Almost always, the teams that show up in beer drinking situations consist of guys who have been playing league softball and smell like bus seats.
Working in bars back then, in the '50s, to get a job you had to play all kinds of music. There'd be customers come in and yell jazz tunes at you and yell rock 'n' roll tunes at you and polkas and rhythm and blues and country music.
You can go pretty much anywhere in the world, and people know 'Beat It.' When I was growing up, you heard it everywhere. I remember being a kid and going to school dances and stuff, and they always played it.
My father being in the movie business, I thought being an actor would be great. But when I started singing to people in coffeehouses, you know, singing folk music and then, later, singing songs that I started to write myself, I felt more than an affinity for it.
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