A Quote by Al Jarreau

I have this image in my head of me in the house I grew up in, and hearing this incredible music on the television show, going over to it, and there's Jon Hendricks, Dave Lambert, and Annie Ross. It knocked me out of my socks, and I'm still in flight.
I'm touched by Jon Hendricks. I want some of my music to reflect that. And when I write, you're going to hear it.
My dad took me to all the best rock and punk shows when I was growing up and music has always been a part of my life. So I'm very interested in the music scene and I suppose that's why I've ended up going out with musicians. Dave Pirner is still one of my best friends.
My generation grew up on 'The Daily Show.' Jon Stewart gave me solace. He was the only person who I felt defended Muslims when crazy things were happening; the only place you could find a nuanced take on Iraq was Jon Stewart's show.
I met my husband through a mutual friend. He invited me over for dinner and cooked this meal that knocked my socks off - and maybe knocked off a few other pieces of clothing off as well.
I grew up with a dad who hated television, so we had to sneak television. It got ingrained in my head to never follow a show that religiously.
I listen to all those kinds of music, from classic soul to hip-hop to Brazilian music to, you know, jazz to indie to alternative... And for me, when I'm making music, it's all in my head, and all those influences in my head. So if something comes to me that's a reference from a different genre then people are used to hearing from me, I'm not afraid to go there with it.
I grew up in New York till I was 5, and I remember going to see 'Annie' and some musicals as a kid, and I remember my parents being somewhat okay with us watching 'Rocky Horror Picture Show,' which, it boggles my mind that they allowed me to watch it.
I started over again with an image: Nothing goes right. Then when The Godfather came out, all I heard was, Show respect. With me, you show respect. So I changed the image to I don't get no respect. I tried it out in Greenwich Village. I remember the first joke I told: Even as a kid, I'd play hide and seek and the other kids wouldn't even look for me. The people laughed. After the show, they started saying to me, Me, too - I don't get no respect. I figured, let's try it again.
Lindsey [Buckingham] and I went up to Aspen and we went to somebody's incredible house and they had a piano and I had my guitar with me and I went in their living room, looking out over the incredible Aspen sky and I wrote 'Landslide.'
I've always believed in good music over bad music. I believe in two sorts of musics. And the lines that separate us, I don't believe in that. That's for people who need to easily define what they're hearing. Me, I'm cool with everything and anything I'm hearing that's music. It comes under one definition for me.
I grew up in a house full of music, and a house that didn't have a television. We had a piano, but no television. And really, I very quickly realized that this was, you know, there was magic there, there was magic to be had, you could lose yourself in it, it was a refuge, it was joy, it was all of those things.
Where I grew up in St. Louis, Saturday was country music day on television. We'd watch the Bill Anderson show, the Willie Nelson show, the Dolly Parton and Porter Wagoner show, and always the Grand Ole Opry. My parents were fans of that music, and my friend's parents would pull the TV out and watch those shows on the porch.
I didn't plan on going into show business. Show business picked me. And it's been fun. One of the best things about being in show business is people think they know me, and they feel like they grew up with me.
It's such an honor. I still get, I guess, starstruck, at the Opry. Because there's so much history here and there are so many legends that are still walking around backstage, so it's really an incredible, incredible experience for somebody like me that grew up listening to all of them. And to be able to share the stage with them is something that I treasure.
Hearing Phil [wood] a lot, those few years especially when I was going to hear music and Tom Harrell was in the band. Man that was incredible. Hearing Tom at that period, and hearing Phil in that period, and also [Charles] McPherson. Those three guys were very impactful. Very inspiring to me at the time.
House music for me was incredible. It was a huge part of my growing up and developing into a young adult because I found a community within music.
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