A Quote by Al Jarreau

I was really learning my craft as a jazz singer and working with some great players and all, really growing and feeling my wings. — © Al Jarreau
I was really learning my craft as a jazz singer and working with some great players and all, really growing and feeling my wings.
Even my colleagues don't read classic criticism. And my feeling is that if you don't do that then you're not really practicing your craft. That's how you learn how to do it. You don't learn how to write about jazz just from listening to jazz. You learn how to write by reading the great writers and how they worked, the great music critics.
Feeling really safe as an actor is not a great thing because you're not learning or growing.
I wouldn't really call myself a Jazz singer I think it's offending to real Jazz singers to call me a Jazz singer.
When people ask me, 'Are you a singer?' I say, 'No, I'm not a 'singer' - but I love the craft of singing,' going in and finding out what that means or why the hell I'm singing in the first place. My thing is really the craft of it.
Even in making objects, as soon as you start to get the feeling that some form of craft is coming into place, you realize that everything is wrong. Because craft is really just a fetish. It is wasted energy. It's about the object, some space which has nothing to do with the human.
Everything starts and ends with the song, and working with writers and really learning their process and craft was an invaluable experience.
I don't really have a career as a jazz musician. I don't really have a career as a classical musician. I don't really have a career as a college professor, and yet I did all those things and I did them well. I put out some records in the 1980's and 1990's that changed the way some trumpet players played.
I have seen great jazz musicians die obscure and drinking themselves to death and not really being able to get any work and working in small, funky jazz clubs.
When I was a little kid wanting to play music, it was because of people like Pete Johnson, Huey Smith, Allen Toussaint, Professor Longhair, James Booker, Art Neville ... there was so many piano players I loved in New Orleans. Then there was guys from out of town that would come cut there a lot. There was so many great bebop piano players, so many great jazz piano players, so many great Latin piano players, so many great blues piano players. Some of those Afro-Cuban bands had some killer piano players. There was so many different things going on musically, and it was all of interest to me.
I was very adamant about not being called a jazz singer, but now I've embraced it. The way I approach music is through jazz, so I'm a jazz singer.
The singer who really opened the door for me was Sarah Vaughan. But I listen to so much music, especially when I was growing up. My parents loved jazz music, so on Saturday [laughing] it would be the "Longine's Symphonettes," and on Sunday it was Mahalia Jackson.
"Jazz" to begin with, is a really bad word... all the true musicians that really play jazz, jazz is the worst word for it. Jazz is a process. Jazz is a creative process. It's not so much a genre, but a way of expression.
Some players are more physical than others, some play with more finesse. Some are just really great all-around players. So you have to change your game.
I've always been a big fan of Thierry Henry. I enjoy watching all the great players, really. But we're always drawn to some players more than others, and in my case, it's Titi. He's my favourite player. I also really liked Luis Figo when he was at Real Madrid.
All I've ever wanted to do is master my craft. I'm a singer, and I want to be a great singer.
I don't know why people call me a jazz singer, though I guess people associate me with jazz because I was raised in it, from way back. I'm not putting jazz down, but I'm not a jazz singer...I've recorded all kinds of music, but (to them) I'm either a jazz singer or a blues singer. I can't sing a blues – just a right-out blues – but I can put the blues in whatever I sing. I might sing 'Send In the Clowns' and I might stick a little bluesy part in it, or any song. What I want to do, music-wise, is all kinds of music that I like, and I like all kinds of music.
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