A Quote by Al Jourgensen
I'm not working at the Chevron, although I'd probably be the best person to work the night shift. Look at me. Nobody would try to steal a Snickers on my watch.
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My dad used to work a night shift when I was five years old, so I would get up when he went to work and watch Johnny Carson. I remember not knowing what was going on, but loving it.
So a lot of people who work rotating shifts and they work at night, their bodies are set to want to be awake during the day and sleep at night. So there are some people who have a lot of trouble adjusting their rhythms and they have trouble working the night shift, they're sleepy, they're drowsy driving home.
If you look at the Intercontinental Champion, historically, that has always belonged to the best of the best in-ring talent, the best wrestler, whatever you want to call it, that came out night after night, produced night after night - and that will be me.
I always feel like when I work with people, I work with everybody - from the person that's working the camera to the person that's running the water to the person that's putting the clothes on me, the person that's combing my hair, my makeup, the person that's like, 'You gotta sign these papers.' I try to hang out with everybody.
So as long as I'm a working actor, I can improve. I want to work with people that frighten me and excite me, and characters that I don't believe I'm the best person for the part but I'm still gonna try anyway. Those are my favorite roles.
During a night shift, I'll work out twice during the day. If I have to work during the day, I usually have guys at the station who will work out with me. Then at night, I'll go train.
I'm working for myself; what else have I got to work for? How can you work for an audience? What do you imagine an audience would want? I have got nobody to excite except myself, so I am always surprised if anyone likes my work sometimes. I suppose I'm very lucky, of course, to be able to earn my living by something that really absorbs me to try to do, if that is what you call luck.
When we were kids, we would never open the minibar. A $6 Snickers bar? But the other day I was in a hotel and I was staring at a Snickers bar, and I finally just ate it. Then it was like something in me snapped. I opened all these drinks. I thought: I can do it now. Now I'm all grown-up. I can eat things from the minibar.
When becoming a character, you have to steal. Steal whatever you see. You can even steal from other actors' characterizations; but if you do, only steal from the best.
You can only be your best self. When I initially got on the air, I would look around me and watch people that I thought were really good and try to be like they were. And I got to a point where I realized, "I can't be them." I can only be the best that Abby can be. And as long as I'm myself and I'm genuine and I'm real, then I think that's all you can do.
There are a lot of things a person with two hands couldn't steal," Eddis said. "So?" "If it's impossible to steal them with two hands, it's no more impossible to steal them with one. Steal peace, Eugenides. Steal me some time.
My best advice to working women is just try what you think right now will be best for you and your family - and if it doesn't work, then change it. And look for ways to cut corners to add to your sanity.
I just could just shave my beard, and nobody would recognize me. Although I look like Jodie Foster.
The 'Day Shift' songs are things that would unfold during the daytime. 'Night Shift' is what would unfold during the nighttime. So, that's how I put that whole thing together. I did both all on one album budget.
I don't work at night. I'm not very good about working at night. I get tired during the day and I usually like to save my nights to try things out recording.
All the books on my shelves, when I would go to them to look for help with my anguish, they all just seemed so crass. They didn't get it. Those books don't understand. Nobody understands. The universe, nobody understands my agony, or my questioning, and it's this shift in what in the world around us could possibly be meaningful or helpful.
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