A Quote by Al Jourgensen

We just did three albums in a row of shaking our fists in the air and yelling about George W.Bush and the government. I didn't think I was going to have to do three, but the idiot kept getting reelected. I just wanted to remind people that Ministry is actually a good rock band. We can do some party stuff, too.
It was the worst night of my life. George W. Bush was reelected, and then I knew I had to do another couple of albums about this idiot. Then I had to play in front of 37 people. It was horrible. I was crying. I was freaked out.
You know when you go into a restaurant, and it gets busy and they start a waiting list, and they start calling out names, "DuFresnes, party of two." They say again, "DuFresnes, party of two." But then if no one answers, they'll just go to the next name, "Bush, party of three." Yeah, but what happened to the DuFresnes? No one seems to care. Who can eat at a time like this? People are missing! And they're hungry! That's a double whammy! "Bush, search party of three!" You can eat once you find the DuFresnes!
When I formed the band and created the Wildabouts with my friends, we decided we wanted to make a band-sounding album, a rock-sounding album. I made two solo albums before that were more experimental albums, and I think that they didn't really resonate with my fan base because they were too out-there, too artsy.
I did some stage when I was a kid, around 16 or so. I was living in Melbourne and had a band. I was quite young. We weren't very good. Then I found a band in Perth. We played around for three years. We're in the 'History of Rock'N'Roll,' a book about Perth music.
You're in for a live band. That's really what I wanted; I wanted to put on a show for people where they could come for the gay and stay for the musicianship. It's a live show; there's some rock stuff, too. Some rock and roll. Get ready.
I think there's nothing better than seeing a three-chord straight up rock 'n' roll band in your face with sweaty music and three minute good songs.
My mother, father and brothers (I was the youngest of three boys), were all very sarcastic and we were a complete Irish-Catholic family. We didn't talk about our feelings ever, and if we did, we were yelling about them - there was no in-between. That's just carried over so many ways in my life and sabotaged relationships, sabotaged creative stuff.
You know, being in a rock band, you can't overdo the costume changes too much because everyone thinks, oh, that's not a real rock band. Look how many times he changes costumes. That's not rock. Rock's about going on in a T-shirt and staying in it and getting it all dirty. But that's not really my approach.
I kept listening, kept going to see people, kept sitting in with people, kept listening to records. If I wanted to learn somebody's stuff, like with Clapton, when I wanted to learn how he was getting some of his sounds - which were real neat - I learned how to make the sounds with my mouth and then copied that with my guitar.
My shows have never been related to my albums at all because my albums have all kinds of crazy instruments and stuff that could never be performed live. I'm used to people expecting this 12-piece band to show up with three drum sets and an accordion.
Basically I made her [ Sara Pocock] listen to funk music for a good month, a nonstop stream of George Clinton. I was talking about the art from...if you look at the art from George Clinton albums there are two or three artists he worked with...I made her listen to my album too so all the images are from jokes I made. I wanted it to look like the thoughts that are coming out of my brain which is what comedy is anyway.
Presidents routinely testify in criminal cases. You know, George W. Bush did it with Valerie Plame. Bill Clinton did it three times with Ken Starr. Gerald Ford did it with respect to a testimony about a Charles Manson follower. And Ronald Reagan, I think, is perhaps the most important precedent.
We know that inevitably the millennials will get old and tired again, and then there will be the bilennials or trilennials, or whatever the next generation is, and we're all going to end up on our lawn shaking our fists in a bathrobe yelling at the moon.
There are three types of pitchers you have to deal with. Some, you just have to tell what town they're in, remind them where they are. Some, you remind them about mechanics, and some, you have to bust their tail. You have to make them your friend and have them trust you.
I think when I started modeling three years ago, it was just a job, and I was so excited - everything was so new, so crazy. I didn't overthink anything; I just did it and enjoyed myself along the way. But after a few seasons, you get used to it, and there's a lot you actually have to think about, and, I don't know, it just makes you much more aware of what you look like and what other people think. It's a bit of a nightmare.
I find the fact that so few people buy albums to be strangely emancipating. There's absolutely no reason for 99% of musicians making albums to think about actually selling albums. So as a musician you can just make an album for the love of making albums.
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