A Quote by Al Kooper

...You couldn't help being influenced by Dylan. — © Al Kooper
...You couldn't help being influenced by Dylan.
I've been influenced by poets as diverse as Dylan Thomas, Lewis Carroll, and Edgar Allan Poe.
I am like a chameleon, influenced by whatever's going on. If Elvis can do it, I can do it. If the Everly Brothers can do it, me and Paul can. Same with Dylan.
I don't listen to hard rock or heavy metal. I suppose I've always been influenced by folk music, I'm a big Bob Dylan fan.
I was mainly influenced by the Carter Family, Jimmie Rodgers, Loretta Lynn, Merle Haggard, and others like Bob Dylan, Johnny Cash.
I am Puerto Rican. I think Latinas are sexy, and being one, it has influenced a lot of my style, but being an official Los Angelite, this town has influenced most of my daily style, which is relaxed & easy.
In Paris in 1964 was the first time I ever heard Dylan at all. Paul got the record (The Freewheelin' Bob Dylan) from a French DJ. For three weeks in Paris we didn't stop playing it. We all went potty about Dylan.
I don't think [Dylan and the Beatles] influenced me a lot. I think it was inevitable; they were so powerful that you couldn't really escape the influence.
We didn't have the phrase 'style icon' when I was young, but I have to say, I really copied Bob Dylan when I was younger: a little bit of Bob Dylan or a lot of Bob Dylan and the French symbolist poets - I liked how they dressed - and Catholic school boys.
I would never not work on the part without it playing. That's what being an actor is. You use everything that's influenced you to help you get out of yourself or be more creative.
I was comparatively late in understanding Bob Dylan's overwhelming importance as a songwriter. Everybody who does my job exists in the shadow of Bob Dylan. There are two categories: Dylan and everybody else. It's as simple as that. And it's going to be that way until he dies.
A panoramic vision of Bob Dylan, his music, his shifting place in American culture, from multiple angles. In fact, reading Sean Wilentz's Bob Dylan in America is as thrilling and surprising as listening to a great Dylan song.
I'm a huge Springsteen fan, and yet if either he or Bob Dylan had to be erased from the world's hard drive, I would save Bob Dylan's work for sure - he's the greater talent, and by leaps and bounds and skyscrapers and rocket blasts. But Bob Dylan is an alien to his public.
I've been influenced by some of the greatest designers. Charles Eames. And Bruno Munari in the '50s in Italy - when they had to retool the industry of war into an industry to help society. In a way, I'm influenced by designers that were there at a radical time of change.
My dad influenced my musical taste. I grew up listening to Bob Dylan and The Rolling Stones and a bunch of rock music from the '60s. Now, instead of watching TV, I'll play a record from start to finish.
It sounds lonely being Bob Dylan, because Bob Dylan likes being around other Bob Dylans, and there are not many other Bob Dylans around.
You know, artists are influenced by other artists. We're all deeply influenced by what's around us; we don't make anything cold. Sometimes we think that we do. But within that, the most important part is that even though we're influenced, what are the levels of invention that we carry forth even as we've been influenced by something that's come before?
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