A Quote by Al Leiter

For seven years, I was in this fishbowl with this intensity, with all the stuff that went on with the Mets. — © Al Leiter
For seven years, I was in this fishbowl with this intensity, with all the stuff that went on with the Mets.
I was into the Mets because my Dad worked at IBM where he got free Mets tickets, so I was into the Mets... then I got to 'Saturday Night Live' where my boss has unbelievable N.Y. Yankees tickets, so he invites us to the games. I'm going to all the games, so I might as well root for the team I'm gonna go sit with.
The only thing worse than a Mets game is a Mets doubleheader.
I remember being, like, 5 years old, and my dad took me to a Yankees-Mets game. My dad had me on his shoulders and taught me one of the most important lessons about sports. He said, 'Jesse, just remember one thing, the Mets suck.'
The intensity of the Super Bowl is one-of-a-kind. An NBA finals is best-of-seven. But the Super Bowl, one game, winner-take-all. The intensity is off the charts.
I have a vivid memory of loving Keith Hernandez, the first baseman for the '86 Mets. I grew up in Queens, so when the Mets won the World Series that year, it was a big deal.
I have always been a big meta guy because I think the way journalism is practiced in Washington, and the way everyone sort of cohabitates in the same fishbowl is ultimately a bigger part of the story than people outside of the fishbowl really know.
Seven years is a long time, and seven years of fighting the best guys in the best organization in the world, the biggest organization in the world, it hardens you. You don't stay seven years without evolving. It doesn't happen.
Tom Seaver was let loose twice by the Mets and pitched a no-hitter for the Reds and won his 300th game for the White Sox, but he wears a Mets cap in the Hall of Fame as homage to the 1969 championship.
I like the Mets. I'm interested in the Mets.
I won't be managing the Mets. I am closing the door on managing the Mets and probably everybody else.
Being sent away to boarding school at seven is as great an inspiration as any songwriter could have - to be taken away from one's family and locked away for 10 years. It does create an incredible intensity of emotion.
I played seven years in Minnesota and I'm looking forward to a better, greater seven years down in Miami. I'm back home. It's great.
Nothing's changed from when I'm seven years old to now. Nothing's changed at all. I like the same stuff that I did - Kiss, Van Halen, 'Happy Days,' 'Laverne & Shirley,' 'The Brady Bunch,' monsters and all that stuff.
I have a lot of regrets about what I've done. If I had to do it over again, I never would have left the Mets. I'm very thankful for all that Mr. (George) Steinbrenner did for me when I was with the Yankees, but I wish I had stayed in New York with the Mets.
The only reason that it takes me seven years to do stuff is because I just don't really have a plan.
As an actor, there's nothing worse than the sound of 'seven years'. I'm sure to some people it sounds amazing, but to us, it's, like, seven years of playing the same person.
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