A Quote by Al Lewis

I probably worked every single entertainment medium, including some that don't exist. I worked the circus, carnival, I had my own medicine show, I worked 18 years of radio.
Prior to working for Fox, I worked for ABC and NBC, spent a lot of time at CNN, and almost ended up at CBS. I worked for a bunch of local stations in Los Angeles and had a talk-radio show at KABC for six years. In other words, I'm fortunate enough to have been around, and Fox News is the best place I've ever worked.
I have worked in animation on 'King of the Hill.' I've worked in late-night with 'The Daily Show.' I've worked on single-camera stuff, whether it was a movie or television. I have performed onstage.
I've had 79 to 80 years of show business. I started when I was 5 with a man called Tom Mix. I didn't have time to go to school because I was in silent movies, I was in radio, I was in burlesque, I worked with the circus. I'm all show business!
I worked as an interior designer. I worked as a furniture salesman. I worked as a financial adviser. I worked as a painter and decorator - that wasn't for very long. I was a baker for about four-and-a-half years.
I worked at CNN for almost 26 years. I worked in Mutual Radio for 20 years. I've been in the business 57 years. I have never seen a bias off the air or on.
'Vanity Fair' did this grid thing a couple years ago, connecting people who've worked together, and I had the most branches on it or whatever, because I'd worked with so-and-so and so-and-so worked with so-and-so, and I was kind of in the middle.
My mum had me when she was just 18 and she worked three jobs, including bar tending, to put food on the table and she also went to night college. She worked really hard for us and I kept myself busy with football.
I worked as an intern. I worked at a high school. I worked at a college newspaper while I was taking 18 credits while on the basketball team.
When I started in radio, I worked for free. I lived at the radio station. Then I worked for very little money.
I had a lot of great bosses - I worked for Gina Prince-Bythewood for two years, I worked for Ava Duvernay as a PA on her first narrative film, and I worked with Mara Brock Akil, so a lot of wonderful role models.
My mother worked in factories, worked as a domestic, worked in a restaurant, always had a second job.
So I never had trouble getting work or working or doing - I always worked. I worked when I went to college. I worked after school.
The reason everybody is so amazed and enamored with me right now is because I have worked every angle, I have worked every formula, I have worked every equation, I have seen every club, I have seen every performance, I have seen every joke, I have studied, I have done my job. That's why I'm good. It's not because I got up one night and decided I wanted to tell some f - -ing jokes.
I started when I was about 3, and worked and worked and worked. I sang at nursing homes, Walmarts, and still didn't get no place. But I had this feeling that I was almost there.
I worked on the line, I've been an executive chef, I've worked for the Mets, I've worked for various steakhouses, vegetarian restaurants, a lot of Middle Eastern stuff. I've worked my fair share of a lot of different things. I've worked at festivals and street fairs, you know? I've been through it all.
I've worked with non-professional actors, I've worked with movie stars, I've worked with kids, I've worked with older people, and I've found my job as a director is to cast them well and to understand what they need on set to bring the material to life.
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