A Quote by Al Lopez
I'm delighted. I don't know of anybody who had a statue built of them while they were living. It's a great feeling.
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Shadowfax tossed his head and cried aloud, as if a trumpet had summoned him to battle. Then he sprang forward. Fire flew from his feet; night rushed over him. As he fell slowly into sleep, Pippin had a strange feeling: he and Gandalf were still as stone, seated upon the statue of a running horse, while the world rolled away beneath his feet with a great noise of wind.
At the beginning of the 20th century, before the migration began, 90 percent of all African-Americans were living in the South. By the end of the Great Migration, nearly half of them were living outside the South in the great cities of the North and West. So when this migration began, you had a really small number of people who were living in the North and they were surviving as porters or domestics or preachers - some had risen to levels of professional jobs - but they were, in some ways, protected because they were so small.
My parents, neither one of them went to college. That wasn't available to them. But, you know, we had a wonderful life. You know, it - you know, we lived in what would now be considered poverty, but, you know, it didn't feel like poverty when I was living it. I had a great time and got a - had a great experience. I went to Catholic school through high school. I had a wonderful education.
I've always had a strong feeling for the Statue of Liberty, because it became the statue of my personal liberty.
People who have left the group talk about how a religious inspiration took them to ISIS. It was their feeling of being marginalized as Muslims in the society where they were living, and then buying into the promise of a caliphate and of a Muslim land that is governed as in the time of the prophet. I have yet to meet anybody, or speak to anybody, who was not religiously motivated at some level.
I've always had great satisfaction out of writing the plays. I've not always had great satisfaction out of seeing them produced-although often I've had satisfaction there. When things go well in production, on opening there's no nicer feeling in the world-what could be nicer than watching an audience respond? You can't that from a book. It's a fine feeling to walk into the theater and see living people respond to something you've done.
I told him they built a statue of Schultz, and then he said that a monument is cold comfort to a dead man, and then I said that the statue was built not for Schultz, but for us--to remind us how to be human.
I know a lot of great success stories of those who were excellent problem-solvers because they had found a need that they could fill well. As a result, they built organizations around them and those organizations had belief systems that could be described as a form of leadership.
Back in the 1500s, the culture that we had built in the West embraced multigenerational projects quite easily. Notre Dame. Massive cathedrals were not built over the course of a few years, they were built over a few generations. People who started building them knew they wouldn't be finished until their grandson was born.
Well, 9/11 made me think about the towers, and the fact that I lived in New York for a long time, while they were being built. In fact, I had a studio that was ripped out, along with the whole neighborhood, to put the towers in. I saw them go up. I lived with them, running past them in the morning. And they were like part of my furniture.
It seems to me that at 19 or 20, a young man is burning to be great at something. I was. You have a vision that's beyond the neighborhood. You want to make a mark while you're alive. You don't know exactly your future, but you want to be great at it. And greatness is an important word. And you dare not tell anybody how extreme and how burning are your visions, because you don't want anybody to mess with them
I'm grateful that I had that uphill battle for 10 years of going onstage and having nobody know who I was, because you have to win them over. I have a lot of friends who were stand-ups, and they just stopped after a while, because they didn't like that battle. And then they would get on a sitcom and get visible and get back into it, because the audience was just way easier on them. That's why they're okay stand-ups, but they're never going to be great, because they don't have that presence. They never built those muscles up.
I don't have the kinds of relationships that are built on any kind of false pretense, not to say that I haven't. I've had just as many as anybody else, but I haven't had them in a long time.
I am delighted to have had students, friends and colleagues in so many nations and to have learned so much of what I know from them. This Nobel Award honours them all.
No one is as real to me as people in the novel. It grows like a living thing. When I realize they do not exist except in my mind I have a feeling of sadness, looking around for them, as if the half-empty cafe were a place I had once come to with friends who had all moved away.
Maybe that's my only remorse, not having played more alongside Ibrahmovic towards the end of my career with Milan. We had an incredible feeling - he was delighted when I scored and I think we were made to play together and be a strike partnership.
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