A Quote by Al Lopez
The youngsters coming up now just go through the motions necessary to make the play. They should bounce around a little, show some life and zip. It adds a little action and gives the fans something to look at rather than the monotonous routine, no matter how perfectly the play is made.
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I still want to be the cute maknae of the group so rather than growing out my moustache and saying that I've matured and that "I'm a man", I would rather show people how I've grown up little by little through my personality.
I play a little acoustic bass and a little guitar. In our house there are instruments everywhere, and I love picking them up and just noodling around. I pick up my husband's tin whistle sometimes. He's really proficient, but it's about the second most annoying instrument - after the banjo - if you don't know how to play it.
I didn't want to be precious about things. Of course, the idea is to make great music, but if you have great musicians up there, it gives me some leeway to play around a little bit.
I like the sound of a Silvertone amp for myself. It's kind of cleaner guitar sounds when necessary, maybe a little less metal-sounding. But it really doesn't matter what amp I play through; it's really the way I voice chords and play guitar, how I strike the strings.
After dinner or lunch or whatever it was -- with my crazy 12-hour night I was no longer sure what was what -- I said, "Look, baby, I'm sorry, but don't you realize that this job is driving me crazy? Look, let's give it up. Let's just lay around and make love and take walks and talk a little. Let's go to the zoo. Let's look at animals. Let's drive down and look at the ocean. It's only 45 minutes. Let's play games in the arcades. Let's go to the races, the Art Museum, the boxing matches. Let's have friends. Let's laugh. This kind of life like everybody else's kind of life: it's killing us.
When I was a little bitty kid, my aunt showed me how to play a little boogie. It took me years. I had to play the left-hand part with two hands, because my hands was so little. Then as I grew up and I learned how to play the left-hand part with one hand, she showed me how to play the right-hand part, and et cetera. My Uncle Joe showed me how to play a little bit different boogie stuff. I had people in my family that was professional musicians, but I just wasn't interested in what they did. I wasn't very open-minded to a lot of music that I'd be more open to today.
I can't judge the characters I play, because it's for the audience to do. What I can try to do is to understand and embody what were they going through? How did they make the decisions they made? That to me is a more interesting way to approach something, rather than saying this person is a villain and that person is this and - because it's not very interesting to play that anyway.
What gets me upset about with the newer players is their lack of intensity. They tend to go through the motions a little bit. They don't understand that you've got to practice the way you play.
When I was about 17 or 18, I would go through my boy's garage and they had a little studio set up. I would just play around there.
When your show keeps coming back, year after year, you have a responsibility because your fans know your show sometimes better than you do. You can't play games with them. You have to be really focused and concentrated, and play at your best in every department. The writing staff has to be fantastic. Our director line-up has to be great. Everything has to be better and better. Your fans keep track of the details.
I don't have to go through life being mean or having a stern face just to play basketball. I enjoy the game and play it how I like to play it.
I'd rather play with 10 people and just get penalized all the way until we have to do something else rather than play with 11 when I know that right now that person is not sold out to be a part of this team.
Come little children I'll take thee away, into a land of Enchantment Come little children the time's come to play here in my garden of Shadows Follow sweet children I'll show thee the way through all the pain and the Sorrows Weep not poor childlen for life is this way murdering beauty and Passions Hush now dear children it must be this way to weary of life and Deceptions Rest now my children for soon we'll away into the calm and the Quiet Come little children I'll take thee away, into a land of Enchantment Come little children the time's come to play here in my garden of Shadows
The edge came from the slights I've had throughout my life, the slights I have dealt with through the entirety of my life. It wasn't one day when somebody said something and that made me upset and now I'm over it. I'm not going to stop playing with an edge because that's what got me here. That's just how I play the game. I can't play any other way.
'Need You Now' is a universal subject matter. It's something that not just country fans, not just pop fans - everybody's been there. And the production was a little left of center.
I've always had a bazillion songs in my archive, but I want to play people stuff they know. Now that I have two albums' worth of material, that gives me freedom to compose a set that's more well-balanced and build a show rather than just a recital of some songs.
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