A Quote by Al Murray
Things inspiring me - good melody, a great bass line, a fabulous voice... by which I mean someone who sounds great, rather than does pyrotechnics... and people playing really musically. Music is endlessly fascinating.
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Instead of thinking in terms of chords, I think of voice-leading; that is, melody line and bass line, and where the bass line goes. If you do that, you'll have the right chord. [These voices] will give you some alternatives, and you can play those different alternatives to hear which one suits your ear. Keep the bass line moving so you don't stay in one spot: if you have an interesting bass line and you roll it against the melody, the chords are going to come out right.
A lot of other bass players have told me I'm the only bass player who plays with a pick but sounds like he's playing with the thumb and fingers, which is a great compliment.
There are so many great artists out there; it's hard to choose one. But, I would love to work with Ledisi; she has a great voice. I also admire and respect John Legend. When he wrote "All of Me," I fell in love with the melody and music. He is an artist that really loves music and just has a great way with words.
I definitely see the voice as an instrument: It makes great drums, great synth pads, great everything. Vocals can be so many things, like, "Hey, I'm Michael Jackson, and this is my iconic voice," or a choir of people sounding like Mozart's Requiem. Mariah Carey is my favorite singer because her voice sounds utterly groundless. It's not even a human voice; it almost sounds mechanical.
There was a time when fast playing and fretboard pyrotechnics on the bass were important to me and when I am recording a bass track, that is still very important to me.
I think one of the great things that Jason does, that 'Ted Lasso' does: the way that Jason leads is by delegating. He's really good at going, 'Here's what I think, but what do you think? Great. Awesome. Let's work that in, that sounds great.' It's a real collaborative process with him.
So rather than really have, like a close relationship to anything that's coming out today, people are just, they've got it on as background music. It's kind of the same way the cabdrivers use music; it's very disposable. But, that doesn't mean there aren't a great number of artists who are doing things to change that.
What is the best music is impossible to define. Just because it's played by a virtuoso player, doesn't mean it's great music. It might not reflect the soul of a people, which is really my criteria for great music.
I'd rather go with someone who wasn't a great speaker, but was a great chef, rather than someone who was a great performer, but maybe not a great cook.
If you can do something that doesn't rely on a major melody but still sounds immediate rather than being obtuse and devoid of anything to catch onto, that's great.
Someone said to me the other day, 'Oh, you're really jhujhi.' What does that mean? Fancy? Fabulous? Some people think I can only do fancy, I don't know why. I'm a pretty easy person really. Low maintenance. I get on with things and I'm comfortable anywhere.
For me, getting older doesn't mean throwing away a favourite-coloured lipstick or a fabulous pair of boots; instead, it's about harnessing all the great things I have learnt over the years about what does and doesn't suit me, and enjoying the way in which cleverly selected outfits can enhance the nice bits.
As a writer, I find it very satisfying when a lyric suddenly ties together more neatly than you expected it to. But for the listener, hearing a good lyric is not generally as exciting as hearing a great beat or a great riff or a great melody or even a distinctive singing voice for the first time.
Hitchcock is a big ask. I am playing someone significantly older than me and someone significantly bigger than me. The stuff I find very interesting is why certain physical things have come about. How can he be light on his feet when he is so big? How can his weight vary so much? Where does this rather beautiful voice come from?
What does it mean to dance? What does it mean to commit a crime? What does it mean to be anxious? What does it mean to tell a joke? The great thing about the French is that they have thought about these subjects in a great variety of ways and are a very articulate people.
I think a good painting or a good work of art does many things it wants, I mean, maybe 15 or 20 or 100. One of the things a painting does is to make the room look better. It improves the wall that it's on. Which is much harder than it looks. And that's a good thing. And if one engages with a painting on that level, that's fine, that's great. After some time, familiarity, the other things that a painting does, the other layers, they just start to make themselves felt.
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