A Quote by Al Pacino
Theater for me at one point was a lifestyle, too.
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In terms of theater itself, no story is too strange or method of telling it too impossible these days. In many ways, musical theater has caught up with straight theater in that it's allowed more surreality and breaking of form, and that's really exciting to me - the challenge is getting people to produce those shows.
The only lifestyle I'm promoting is the lifestyle of love and friendship. The lifestyle of music, and joy, and fashion. So whoever wants to come and get part of that lifestyle, we accept anybody.
Until I have a family or a mortgage, I'm trying to keep my lifestyle simple and my apartment affordable so that I can continue to focus on theater. That's as good as it gets for me.
I was always into film, but theater was my entry point. I always felt like film didn't make sense to me as a kid. It was just so magical that I was like, 'There's something going on back there that I don't know.' But, when I watched theater, it was something that was happening in front of me.
In the 1940s, I was doing something called the Equity Library Theater in New York, when a movie company came to see the play I was in and offered me a contract. But the deal was, my nose was too big and they wanted me to have surgery. My jaw was crooked, and I'd have to have that fixed, too. And they didn't like my name; it was too common.
I think that there's a particular type of person who goes into children's theater, and then goes into theater in high school. There was something about the guys I knew in theater, we were all very vulnerable. You could tell that at some point we were made fun of.
Before I was a Discordian, I took life much too seriously. When you take life too seriously you start to wonder what the point of it all is. When you wonder what the point is in life, you fall into a trap of thinking there is one. When you think there is a point, you finally realize there is no point. And what point is there in living like that? Nowadays I skip the search for a point and find, instead, the punch lines.
I tried to go out for theater or theater arts, but I was too scared or too intimidated. But I had a lot of friends on the cross country team that had great senses of humor.
StyleHaul will allow me more opportunities to express my point of view in the lifestyle and fashion space.
I just realized at some point that I was hopelessly in love with the theater. I fought it for a long time because I thought theater was for, you know, insufferable actors.
I want the type of career where I can come back to theater. Theater is my home. Theater, to me, is like ballet for dancers. It's my foundation.
I've been asked to do small parts in films, but you know, what I've learned in the 12 Steps of Recovery is that for me, being a public person, is not a very healthy thing. There's too many drugs, too many jets, too many girls, too many parties. It's just not my lifestyle. I'm 58 years old. A good round of golf is about as exciting as my life gets.
Seattle was good for me. I was very comfortable there - not comfortable in terms of it was too easy, but I was at home, I was with my family and friends. It was a great life. I was home. But I think, for me, when I get too comfortable with the lifestyle and everything, I feel that my performances, my focus can go down.
After my bypass surgery I knew I had to change my lifestyle, and then it occured to me - I don't have a lifestyle.
So many writers live their whole lives in rooms. You can be too civilised in the environment you have around you, too oriented towards speaking engagements and literary festivals and dinner parties. That has no interest for me these days. You get to a point where you don't care anymore. At that point, you can start to write.
I made some studies, and reality is the leading cause of stress amongst those in touch with it. I can take it in small doses, but as a lifestyle, I found it too confining. It was just too needful; it expected me to be there for it all the time, and with all I have to do--I had to let something go.
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