A Quote by Al Pacino
I don't talk politics and I don't talk philosophy or anything like that, but if you look at my work, you might get an expression of me as a person.
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Don't label me before we get a chance to talk about it. Talk to me first and see what kind of person I am. That's what I like to tell the media: Come talk to me, let's sit down and talk about what's really going on.
You look down when you talk to a headstone! When you talk to a live person, you look up!
I'm still alive! So treat me like it!
Look at me!
It's hard to pin down what the politics would be, in a way. For me the politics are very visual and felt, thought, seen, but not necessarily put into words. The confusions and conditions within the work are the politics. The fact that a lot of the time the first thing people want to talk to me about is the racial angle, which is a part of the work and I am happy to talk about it, but it's not necessarily the first thing on my mind when I am making something.
(...)I don't know who I am. I look like Stephen Herondale, and I act like a Lightwood and I talk like my father- like Valentine. So I see myself in your eyes and i try to be that person and I think faith might be enough to make me who you wnat me to be." (Jace, to Clary)
I know that it is impossible to talk about my work. And since it's impossible for me or anybody else to talk about my work, I feel I might as well talk about it.
I belong to a bowling team with black and Latino coworkers. And when we get together and we talk about politics - I'm almost quoting him - he said, we don't talk about Black Lives Matters. We talk about what matters to our families. We talk about jobs, and we talk about the fate of the country. That is America, and you can reach those people.
You can talk about things indirectly, but if you want to talk how people really talk, you have to talk R-rated. I mean I've got three incredibly intelligent daughters, but when you get mad, you get mad and you talk like people talk. When a normal 17-year-old girl storms out of the house or 15-year-old boy is mad at his mom or dad, they're not talking the way people talk on TV. Unless it's cable.
Because when I go places and I talk to kids and I talk to parents and I talk to athletes all over, and they look at my story and they see a person, African-American or not, they see something that they can relate to.
I never talk about anything Hollywood or about politics. I will talk about how concerned I am about funding for Planned Parenthood, and how very sad it makes me when I see anything about children being separated from their parents.
On the contrary, it's because somebody knows something about it that we can't talk about physics . It's the things that nobody knows anything about that we can discuss. We can talk about the weather; we can talk about social problems; we can talk about psychology; we can talk about international finance gold transfers we can't talk about, because those are understood so it's the subject that nobody knows anything about that we can all talk about!
Let me tell you what I just heard. Talk, talk, talk, I. Talk, talk, talk, I. Well, what about me?
The greatest gratification that I get to work with these hands is that when I come out and I go to the waiting room and speak and talk to the families of my patients, I get standing ovations and I get tears and they look at me as superhuman and superhero. No amount of money, no amount of anything can ever compare to that feeling.
A perfect date is probably something somewhere where you can kind of communicate and talk to the person. I don't like movies as first date. I don't think that's a good idea because you don't really get to talk to the person. I think taking a walk or just having one on one time with that person is the best.
I understand what 'Lost' was, and I count my blessings. I'm usually happy to talk to people. I don't think I've ever had anybody say anything negative to me about it except, 'I didn't get the ending. What the hell was that all about?' And I'm like, 'Talk to Damon Lindelof!'
Sixty-five days principle photography, five-day weeks, which is the only way I'll work. With my cinematographer Russell Boyd, we take as much time as possible before pre-production, looking at stills. The next most important thing: he will come to me and talk about lenses. And I'll see his plan, which is generally great, and I might talk about how the light will be, handheld or not? I talk very freely, and try not to talk specifically, just talk around it, because it can unlock all sorts of things.
Beauty is only skin deep. If you go after someone just because she's beautiful but don't have anything to talk about, it's going to get boring fast. You want to look beyond the surface and see if you can have fun or if you have anything in common with this person.
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