A Quote by Al Pacino

The camera can film my face but until it captures my soul, you don't have a movie. — © Al Pacino
The camera can film my face but until it captures my soul, you don't have a movie.
Film, television, and working with a camera is such an intimate art form that if a camera is right on you, and I've got your face filling the screen, you have to be real. If you do anything that is fake, you're not going to get away with it, because the camera is right there, and the story is being told in a very real way.
If a bout of "creepy face" sets in, the trick is to look away from the camera between shots and turn back only when necessary. This also limits how much of your soul the camera can steal.
Film is probably the medium best suited to reach the most people - the visual, the aural, the limbic, the intellectual: it captures all these parts of our mind and soul. No other art form comes close.
The stigma that used to exist many years ago, that actors from film don't do television, seems to have disappeared. That camera doesn't know it's a TV camera... or even a streaming camera. It's just a camera.
People have been reading photography as a true document, at the same time they are now getting suspicious. I am basically an honest person, so I let the camera capture whatever it captures whether you believe it or not is up to you; it’s not my responsibility, blame my camera, not me.
But it wasn't just a technical approach towards the piano, studying the music for this film was also a way of approaching the soul of the film, because the film is really about the soul of Schubert and the soul of Bach.
I think the camera was always my obsession, the camera movements. Because for me it's the most important thing in the move, the camera, because without the camera, film is just a stage or television - nothing.
You don't want to be the guy whose back's to the camera in the emotional part of the movie. So, you have to be aware of the camera movement and what the camera's doing.
I think that film is still an artform and it doesn't really matter if you're using a digital camera or a film camera.
Rehearsal for film is tough. Until the camera's there, everything changes.
Camera 1.0 was film. Camera 2.0 was digital. 3.0 is a light-field camera that opens all these new possibilities for your picture taking.
the movie is not a thing which is taken by the camera; the movie is the reality of the movie moving from reality to the camera.
I have met a lot of top chefs around the world during my travels. Each one of them has said 'Ratatouille' is their favorite movie and the only movie that truly captures what they do.
I remember, when I was a little kid playing with the 25 Legos I had, I thought, 'If I just had a camera, I could film different setups and make it look like I have way more Legos and tell a story.' I didn't get a camera, though, until I basically got an iPhone.
Our idea to remake the Malayalam 'Premam' was not to make a better film than the original film or correct the mistakes they made or perform better than that hero. The soul of the Malayalam movie was taken and changed a bit to match with the Telugu sensibilities so that our audience can enjoy the movie.
I'd like to own a movie camera - a proper one, with film, not a digital thing. Celluloid has more character.
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