A Quote by Al Pacino
Actors are always outsiders. It's necessary to be able to interpret - and that gets distorted when you become famous.
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Writers are outsiders. Even when we seem like insiders, we're outsiders. We have to be. Our noses pressed to the glass, we notice everything. We mull and interpret. We store away clues, details that may be useful to us later.
I've found a lot of the thinking in America is that a lot of people become actors to become famous. At least from my experience, I have a dozen or so British friends who are actors, and if you look at their body of work, and they'll go do theatre, and they'll go do this and this. They work, and they're always honing and trying to be better.
The truth is, anybody that becomes famous is an ass for a year and a half. You've got to give them a year and a half, two years. They are getting so much smoke blown, and their whole world gets so turned upside down, their responses become distorted. I give everybody a year or two to pull it together because, when it first happens, I know how it is.
Records can be destroyed if they do not suit the prejudices of ruling cliques, lost if they become incomprehensible, distorted if a copyist wishes to impose a new meaning upon them, misunderstood if we lack the information to interpret them. The past is like a huge library, mostly fiction.
Actors take risks all the time. We put ourselves on the line. It is creative to be able to interpret someone's words and breathe life into them.
The actors in Britain are incredible, and I didn't appreciate that until I got there. They interpret your words and you realize how deliberate and thoughtful they are. There are great American actors, too, don't get me wrong, but the technique that British actors have is something really special.
I realise that certain actors project their own image onto the screen - those who are the same on as they are off. But I've never had the necessary statistics to be able to do that sort of thing, and so, anyway, I always wanted to be a character actor.
I wanted to be a stage actress. I wanted to be a New York actress and have a community with other actors. I didn't want to get famous; I always thought getting famous was a drag on you.
Honestly, this face of mine will always be familiar to people. It's that unique quality, man. If it's a dark and crowded room, people are just able to point me out. I think I'll always be famous. I just hope I don't become infamous.
Starting off in music, the purpose of it was not to become like well known on the street and be famous. You know, I didn't even think about that part of being famous. Famous for making records, yes, but famous face in a woman's magazine, I never thought of that. I didn't want that.
No man at bottom means injustice; it is always for some obscure distorted image of a right that he contends: an obscure image diffracted, exaggerated, in the wonderfulest way by natural dimness and selfishness; getting tenfold more diffracted by exasperation of contest, till at length it become all but irrecognis-able.
I don't think kids of actors become good actors but exceptions are always there.
If we do not control our minds with our Buddha nature, do not practice seriously, are not honest to ourselves and do not examine our behaviors strictly, we will definitely be possessed by Maya. Being possessed does not necessary mean that we become delirious or our faces become horribly distorted. When we do not walk on the right path, we will be walking on Maya's path.
An actor and a [theatre] director are both what I would call interpreters of work. We interpret a work, just as a musician will interpret a composer's work, we interpret the work of a playwright. We are servants of the theatre and I've always believed that. We must serve what has been written, that's what we're there for.
When you become famous, you start getting invites to parties where there are famous athletes and famous rock stars, politicians, people who have tremendous power and affluence. It's not in my DNA, but certainly I have been exposed to it.
I always work only with friends, but it must be about them and myself. Because I film only very personal moments, nothing preplanned, staged or written, it has to be real and spontaneous. Some of them have become famous, some are not yet famous, some will never be famous. But they are all my friends.
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