A Quote by Al Pacino

I think what you see [in Salome the play backstage] is an artist having this fit of temperament. — © Al Pacino
I think what you see [in Salome the play backstage] is an artist having this fit of temperament.
I don't think you have to earn your income as an artist to be an artist. But if you are an artist, then art is what you do, whether or not you're paid for doing it; it is what you do, not what you are. I regard artist not as a description of temperament but as a category of profession, of vocation.
Temperament is something that is an integral part of the artist. Not temper, temperament. There is a vast difference.
Salome had but seven veils; the artist has a thousand.
The interesting thing about this is I don't know what my vision [ in Salome the play and Salomaybe] is yet about. I'm sensing something and I'm going along with it. It reminds me of a painting, the way Jackson Pollack painted - Jackson Pollack, the great, great artist.
I think an artist can fit under a few different categories depending on how much you explore your creativity. It can vary from artist to artist from musician to performer to vocalist. I thrive on creativity. So in the long run I want to be an all around entertainer.
You see a child play, and it is so close to seeing an artist paint, for in play a child says things without uttering a word. You can see how he solves his problems. You can also see what's wrong. Young children, especially, have enormous creativity, and whatever's in them rises to the surface in free play.
Having people around you that are honest with you, and having a team around you that can actually track and communicate where things are working and where they're not working, is really an invaluable asset to an artist's career. I just see it time and again, people who have no clue about that stuff. It's frustrating, and I see the frustration for them. It's a weird thing being an artist, trying to navigate the music business with little to no help.
I have one of the great temperaments. I have a winning temperament. Hillary Clinton has a bad temperament. She's weak. We need a strong temperament.
The backstage play, in which the private lives of theater people are put onstage for the world to see, is one of the diciest of dramatic genres.
There's something about being a part of Broadway and going backstage. You know, like when I go to see a show now and going backstage and saying "Hi" to the cast. It's so thrilling. It's so beyond my wildest dreams from when I was a kid.
Opposites attract, and I think temperament is so fundamental that you end up craving someone of the opposite temperament to complete you.
I came to New York in 1974, when I graduated from college. And you had to use 'Backstage' because all of the auditions were listed there. Most people didn't come with agents, so you got to see a lot of what was auditioning and when and where. 'Backstage' made sure you knew the major places.
As a player, you want to play for your national team - if you're fit, you play; if you're not fit, you don't play.
People see my photos and think I labor over my image and I'm this cool, brooding artist. But I'm just having fun with it.
Salomé, Salomé, dance for me. I pray thee dance for me. I am sad to-night. Yes, I am passing sad to-night. When I came hither I slipped in blood, which is an evil omen; and I heard, I am sure I heard in the air a beating of wings, a beating of giant wings. I cannot tell what they mean .... I am sad to-night. Therefore dance for me. Dance for me, Salomé, I beseech you. If you dance for me you may ask of me what you will, and I will give it you, even unto the half of my kingdom.
Temperament is fixed, set. The skull, followed by the temperament: the two hardest parts of the body. Follow your temperament. It is not a philosophy, It is a rule, like the Rule of St Benedict.
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