A Quote by Al Pacino

I am more alive in the theater than anywhere else, but what I take into the theater I get from the streets. — © Al Pacino
I am more alive in the theater than anywhere else, but what I take into the theater I get from the streets.
I wanted to be a theater actress, but I thought it would be easier to get to New York and the theater if I had a name than if I just walked the streets as a little girl from California.
The difference between working with actors that have put their time in the theater and just straight film and television actors is that you trust theater actors a lot more. You know that they're seriously more trained than anyone else because theater is the best place to grow as an actor.
I looked at theater, in the sense that theater is unmanipulated. If I want to pay more attention to one character on stage than another, I can. I think there's not enough theater in film and not enough film in theater, in a way.
I've been so fortunate throughout my career, when I was doing theater, more theater than anything else, and when I was doing films that I got a chance just to do a broad range of things.
I've been so fortunate throughout my career, when I was doing theater - more theater than anything else - and when I was doing films, that I got a chance just to do a broad range of things.
I'd always loved the theater, and I began by writing plays. I work in the theater a lot in the UK, and I've worked in the theater out here quite a bit. Everything else - the films - followed as a consequence of that.
I'm constantly involved in theater, looking at theater, trying to do work in theater, support theater. And that's kind of my creative passion.
You have in Vegas the most heterogeneous audience you're gonna get anywhere in the country. In Boston, Chicago, Miami, you know who goes to the theater. In Vegas, you have people who only see one theater show a year, and it's in Vegas.
I love the theater because the theater is alive. The audience is right there.
All I can tell you with certainty is that I, for one, have no self, and that I am unwilling or unable to perpetrate upon myself the joke of a self. What I have instead is a variety of impersonations I can do, and not only of myself - a troupe of players that I have internalised, a permanent company of actors that I can call upon when a self is required. I am a theater and nothing more than a theater.
Nothing is more theater-based than wrestling. It's Greek-tragedy-level theater.
The liveness of theater, and the excitement of experiencing it alongside an audience, is something you can't get at home. That makes the theater more vital than ever. It's definitely expensive, but I have faith that the market will keep recognizing the live experience as a valuable and important one.
I would rather work in the theater than anywhere else, and it does seem to be a place where stories can and should be told purely.
I learned my business in the theater and in television, particularly working with the actors. You can learn much more in the theater than directing a movie, because then you have no time when you are shooting a movie to really work with the actors. You have to learn this craft somewhere else.
In terms of theater, I would love to go back to do theater. If I could find something for me to do that fits in with the 'Psych' off-season, I'm game. I would like to do theater where I get to act and dance.
In the restaurant business, as opposed to the theater, center orchestra is an 8 P. M. reservation. Orchestra on the side is 7 or 8:30. Mezzanine is 6 and 9. But people don't take it personally when they call the theater and can't get what they want.
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