A Quote by Al Pacino

[Oscar Wilde's Salome screenplay] is not autobiographical in a sense where you go to my house and see my kids and stuff like that, but that's why I guess it's semi-autobiographical.
When you do these things, you sort of take the journey. The journey is all about how I can interweave the Oscar Wilde story, the story of Salome, the play itself and what it is, what it contains, and my journey as an actor, as a director, as a filmmaker, as a person struggling with whatever I'm struggling with - my own celebrity, my own life. This is semi-autobiographical in terms of my commitment to this kind of thing.
I have very rarely written autobiographical stuff. "Greasy Lake" and some other works have some autobiographical elements, as does "Birnam Wood," the one I chose to end [this collection] with. I lived in that house and some of my feelings are expressed in it, but it's not autobiography. It was not me and that didn't happen exactly that way.
Even if the experience in my stories is not autobiographical and the actual plot is not autobiographical, the emotion is always somewhat autobiographical. I think there's some of me in every one of the stories.
You can look at my autobiographical pieces as source books... But, you see, my fiction doesn't revolve around autobiographical questions.
People ask, 'Are your things autobiographical?,' and I think, no, they're not autobiographical directly, but of course my life has informed my work.
Everything is autobiographical, and nothing is autobiographical. That's fiction.
For some peculiar reason, two films about Oscar Wilde were started at the same time, back in 1959 or 1960. I played Wilde in one, and Robert Morley was in the other. As it turned out, at that particular moment there was no market for any Oscar Wilde movie at all.
Look, anything any writer writes is going to be on some level autobiographical. Part of the funny/sad thing is that you don't always know how autobiographical you're being.
[Vincent Price] did Oscar Wilde on Broadway, and I think he probably did it because he was almost like an Oscar Wilde. He had that brilliant humor.
Oscar Wilde said that sunsets were not valued because we could not pay for sunsets. But Oscar Wilde was wrong; we can pay for sunsets. We can pay for them by not being Oscar Wilde.
I wanted to write a semi-autobiographical piece that was uplifting and heart-warming.
I don't like ordinary girls. But a girl who would kill a guy to make him hers and then kiss his still-warm lips... a girl like Oscar Wilde's Salome They drive me crazy. Like Kiyohime turning into a snake to chase her man or the grocery girl Oshichi who set fire to a building just to see hers one more time. I want to be loved like that be obsessed over be hated.
When I started writing at 18 or 19, I had a fear of anything autobiographical, but I've come to realise that my writing is very autobiographical at the emotional level.
The key to making up Oscar Wilde quotes is to add '~ Oscar Wilde' at the end.
I don't view my memory as accurate or static - and, in autobiographical fiction, my focus is still on creating an effect, not on documenting reality - so 'autobiographical,' to me, is closer in meaning to 'fiction' than 'autobiography.'
All novels must be autobiographical because I am the only material that I know. All of the characters are me. But at the same time, a novel is never autobiographical even if it describes the life of the author. Literary writing is a completely different medium.
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