A Quote by Al Roker
When you've got a teenager and a pre-teen, especially a son and a daughter, and they're going at each other at the table, all you really want is just five minutes of quiet, but sometimes I have a moment during the chaos when I think, 'Yes, this is good.'
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Instead of just hammering away at a song, I'll approach it from a million other angles. Sometimes I'll leave all my equipment set up and just turn on the TV for five minutes; sometimes I've gotta get out of the house. I don't think it every really leaves my head.
I have a five year-old son and a three year-old daughter. I want my son to have a choice to contribute fully in the workforce or at home. And I want my daughter to have the choice to not just succeed, but to be liked for her accomplishments.
It's interesting having a son. Someone told me that it's good when you have a son first because when you have a daughter first and then a son, you think your son's slow. A lot of parents freak out because they've seen a daughter progress so quickly, and they think their male child is, like, damaged. But boys are just naturally slow.
This world would be a whole lot better if we just made an effort to be less horrible to one another. If we took just five minutes to recognize each other's beauty instead of attacking each other for our differences - that's not hard - it's really an easier and better way to live.
Right now, we're not a team. I think we're genuinely happy for each other when we're out there on the court. We've got to find new and different ways to support each other on the floor. The comfort zone that we've been in, we've got to change it a little bit. Everybody has onus on this team. It's easy for someone to say, 'I play only 10 minutes a game, so they're not talking about me.' But that 10 minutes is just as important.
Would a minute have mattered? No, probably not, although his young son appeared to have a very accurate internal clock. Possibly even 2 minutes would be okay. Three minutes, even. You could go to five minutes, perhaps. But that was just it. If you could go for five minutes, then you'd go to ten, then half an hour, a couple of hours...and not see your son all evening. So that was that. Six o'clock, prompt. Every day. Read to young Sam. No excuses. He'd promised himself that. No excuses. No excuses at all. Once you had a good excuse, you opened the door to bad excuses.
I'm just thinking all the time. There are times when I don't really need to think. You know what I mean? If you think about stuff for five hours, you really only need to do like five minutes and the rest of sort of rehashing it and dramatically going over it.
It is a really bizarre feeling to perform for, like, five people. You get so much energy from an audience, and when it's just five quiet people at a table, that's not the same.
Those teams that really trust each other, really communicate with each other, really hold each other accountable and do it in a good way, in a respectful way, and just genuinely enjoy and like each other, I think that can be something that helps you separate when talent is equal.
The teenager begins to realize he or she really does want to be part of a community, really does want to have good relationships with others, really does want to create something truly good with his or her life. The teenager comes to understand just being smart and just being privileged are not enough.
It's one of the worst-kept secrets of family life that all parents have a preferred son or daughter, and the rules for acknowledging it are the same everywhere: The favored kids recognize their status and keep quiet about it - the better to preserve the good thing they've got going and to keep their siblings off their back.
Do you want to see a mother and son antagonistically attack each other every single episode for five years? I don't think so.
When you’re good at improv, even when you’re going to deliver somebody else’s line that they’ve written, you’ve got to nail it. And sometimes it’s not going to be as good as you think, and you have to not worry about hurting each other’s feelings. All that matters is the product itself. All that matters is the show.
I am noticing that we're getting more and more people - and I don't know how to handle this - who come to me saying, "Would you pray for my son? Would you pray for my daughter?" I've been saying, "Pray for them yourself." But they don't want that because they think I've got something that's greater than what they have. I keep saying, "I don't! Not really. I got the title 'minister; but I don't want to exploit you. You do it, too." I think the way to solve it is to do it together. We're going to pray in community, you see?
I think we're different, but we are very similar in a lot of ways, and we really complement each other in real life and on screen. Cameron [Diaz], for me, is like the teacher. And Kate's [Uptone] like my daughter. She's only five years older than my daughter, and so, I always wanted to protect her.
A lot of the projects I've allowed myself to get involved with over the past few years have made me a bit unfocused. It's just so ridiculously easy to do things here; if you're part of the scene, in five minutes you can wind up with two gigs within three days of each other. There's too much going on here and that's a bad thing, to me. Unless you want to jam, and then it's good.
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